Simple Quick and Tasty Home-Made Dog Biscuits – treats for your special friend, from the Fallback Pantry

We’re all having to make-do at the moment when supplies run low – it’s not reasonable to pop to the shops just to pick up one or two grocery items. Then again, there’s no explaining any of this to our pets, and Rosheen (our Rough Collie) would be inconsolable if she didn’t receive her biscuit treats at least ‘once or twice’ a day!

When the biscuit jar ran dry, something had to be done. I developed this recipe for home-made dog treats, it’s so simple, only 10 minutes to make and 20-25 minutes to bake, full of  wholesome things, and good enough you can eat them yourself (but maybe don’t let your dog see you do it!).

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Ingredients:

  • dog-biscuits-fallback_1250g plain flour (any other flour will almost certainly also work here as a substitute)
  • 100g rolled oats (substitute linseeds, plain roast pumpkin seeds (chopped up), or just skip these if you haven’t got them)
  • 2 eggs
  • 25g hard cheese, grated – the stronger flavoured the better
  • 1 low salt beef stock cube (or chicken)
  • ~100ml water

 

You will need a mixing bowl, a rolling pin (a wine bottle can serve in an emergency) and a baking tray with a non-stick sheet or a piece of baking parchment or greaseproof paper.

Pre-heat your oven to 180C / 350F.

In a jug or bowl, dissolve the stock cube in the smallest amount of boiling water you can – ideally less than 100ml.

Combine the flour, eggs, two handfuls of the oats, and the grated cheese in the bowl, mixing well. Now add the concentrated stock a little at a time until the dough comes together and leaves the bowl clean. Give the mix a gentle knead to make sure everything is evenly incorporated (not too much, especially if you’re using strong / bread flour as we don’t really want to develop the gluten for biscuits).

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Scatter some of the remaining oats on the non-stick sheet or baking parchment, and on the top of the biscuit dough, and roll the dough out to about the size of your baking sheet, between 3mm and 5mm thick. Add a few extra oats if the mix starts to stick (you can use flour for this if you haven’t got any oats).

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Now, using a long-bladed knife, mark the dough right through at 1” intervals, and then repeat this at around 45 degrees to the first, to mark a diamond pattern in the dough. 

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Bake in the pre-heated oven for 20-25 minutes, until the biscuits are crispy and starting to brown a little. You want these crisp not chewy so put them back in for another five minutes if they’re at all squishy when you get them out. 

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Transfer to a wire rack and allow to cool, then break up the biscuits and store in an airtight container once they’re completely cold. 

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Sample (if you like!) or just accept your dog’s opinion. They smell great and Rosheen goes mad for them! They will store well in an airtight container for about two weeks – if you ever manage to keep them that long!

 

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AFNOR flat-fold fabric face mask – a modified sewing technique, tutorial with instructions and photographs

I don’t think anyone predicted that ‘home-made fabric face coverings’ would be the hot apparel item of 2020, but here we are…

Fabric face masks are easy to make, if you have a fabric stash, a basic sewing machine, and a vague idea of how to use it then you’re well on your way. The AFNOR pattern is the best one I’ve found. AFNOR is the French national standards organisation (think ‘kitemark’ if you’re British), and they have undertaken an extensive research program into suitable and effective designs and fabrics, resulting in a PDF report you can find here (in English) which recommends this ‘flat-fold’ pattern, similar to a standard surgical mask, and a ‘duckbill’ mask pattern. The PDF is a really interesting, if rather dense read, but the way the patterns are presented is rather different from what ‘hobby sewists’ are used to working from! 

I have modified the assembly technique to make it easier to sew, and also to allow me to use 1/2” bias binding for the ties – if you have 1” bias tape or ribbon, I recommend you use that instead, and you’ll avoid the slightly fiddly bit! (There are extra instructions for using 1″ tapes at the end of the tutorial.)

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Fabric selection and preparation:

AFNOR recommend a densely woven cotton or polycotton fabric for this mask, and at least two layers (you can use three if you’re not confident your fabric is heavy enough). Quilting cottons are ideal as they’re usually good solid fabrics and suitable for high temperature washing. For my masks I used a quilting cotton for the outside layer and a good solid cotton curtain lining fabric for the inside. You should be able to breathe through the layers of your chosen fabric if you place them directly against your mouth and nose – but with some resistance. AFNOR suggest trying to blow out a match or candle through the fabric (and through the finished mask) – you should not be able to do this, no matter how much you huff and puff!

Pre-wash your fabrics at 60C, dry and iron before use.

Materials and equipment:

For each mask, you will need:

  • Two (or three) 20cm (8”) squares of appropriate fabrics
  • 180cm (2 x 90cm) lengths of bias tape or ribbon – I use 1/2” bias tape for this tutorial but if you have 1” bias tape or ribbon it would be better!
  • Matching or contrasting coloured sewing thread

Equipment:

  • Sewing machine – a straight-stitch machine is fine but zig-zag stitch is a handy bonus.
  • Scissors or rotary cutter and mat.
  • Paper to make a 20cm square template if using scissors.
  • An iron and ironing board.

 

How to make the AFNOR flat-fold fabric face mask (modified technique):

Notes on assembly: 

  • This mask is assembled without the use of pins or tacking stitches. This is to avoid poking unnecessary holes in fabric we want to be a barrier. (It’s a bit fiddly in places but the pieces are small enough and the seams all straight so it’s entirely possible.)
  • Secure the start and end of each line of stitching (I won’t keep repeating this, just assume you need to do it every time).
  • All stitching is straight-stitch unless specified otherwise. 

 

Cut your fabrics to size (2 (or three) 20cm / 8” squares) per mask. (I’ve cut four as I was making two masks at once to make it easier to illustrate this tutorial.)

AFNOR-mask_1

With right-sides together, stitch 1/2” / 12mm seams top and bottom, leaving the sides open. 

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Turn the fabrics right-way out and press the seams flat. Do this carefully as tight to the seams as you can.

Now with the fabric the right way out, sew along these seams again, 10mm / 3/8” from the edge. This topstitching catches the extra fabric folded inside and strengthens the edge of the mask. A contrast thread makes a nice detail here!

Your square is now slightly rectangular with seams top and bottom and open sides. Fold the mask in half, seam-sides together and press to mark the centre. 

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With the inside surface of the mask upmost, fold each half into the centre so that the outside fold just reaches the line of the topstitching. In effect you’re creating a ‘box-pleat’. Press these folds carefully from both sides to secure them.

Secure the folds by sewing a seam through all the layers, 5mm / 1/4” from both raw edges.

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Now, trim these edges neatly, removing no more than 1-2mm of fabric. Tidy any loose ends of thread. 

The next section of these instructions specifically relates to using 1/2” bias tape for your ties. If you’re using 1” bias tape or 1” ribbon, brief (simpler) instructions are at the end of the tutorial.

Find the centre of the 90cm length of tape and mark it by folding in a crease line. 

Place your mask inside-surface uppermost.

Open up one fold of the tape, and line up the edge of the tape with the seam you have sewn along the short side. Make sure the ‘inside’ of the bias tape is placed downwards, in contact with the inside of the mask. The existing fold of the bias tape should sit over the raw edge of the fabric.

AFNOR-mask_13

Make a single line of stitching along the middle of the fold of tape, close up to the short edge of the mask. This is fiddly, as you’re sewing within 2-3mm of the edge, so work slowly and carefully. 

Now turn the mask outside-surface up. Fold the tape over the raw edge, leaving the final fold tucked under. It should hide both existing seams on this side. 

Using a zig-zag stitch, if you have one:

Shorten the stitch length as far as your machine will let you and start with a dense, reinforcing cluster of stitches, close to the ege, where the tape is over the single-fold of fabric. Then extend your stitch length and sew along the tape, repeating the reinforcing stitches when you reach the other end. This technique provides strong reinforcement where the join between the ties and the mask will be under tension when the mask is worn, and the zig-zag stitch overcasts the raw edge of the bias tape on the inside, preventing this from fraying when the mask is worn and washed.

Without a zigzag stitch:

Ideally use 1” binding (see end of tutorial).

If that’s not an option, sew two straight seams, one as close to the folded edge of the tape as you can, and one in the middle. Then at right-angles to these, at the start and end, sew some reinforcing stitches (go forward, reverse, forward again several times) to strengthen the join. Consider also reinforcing these areas by hand stitching and take special care that the ends of any seams are carefully secured. 

Do the same on the other side.

Finally, fold and press the bias tapes in half so that the open side faces towards the mask. You will have to shape it a bit near the mask joins to make this work. You can ‘disappear’ any ends of thread from the inside of the mask into the fold of the bias tape.

AFNOR-mask_19

Straight-stitch the full length of the tapes (it’s only 1/4” wide so just sew in the centre), continuing over the mask seam, along the centre of the zig-zag stitching, and all the way to the other end. This secures the raw edges of the tape and will reduce the tendency for it to stretch in use. Secure your ends. 

AFNOR-mask_20

This all looks much tidier if you use thread that matches your bias tape (as you can see in ‘the one I made earlier’), but I wanted you to be able to see what I was doing as clearly as possible. 

That’s it! Your mask is ready to wear!

 

This is a really nicely fitting mask. 

Experiment a bit to find the right position for the ties for you – ladies, if you have a ponytail this is a real advantage as you can tie above / below this to adjust exactly where on your head the tapes lie! While tying behind your head can seem a bit of a nuisance, you can wear this mask comfortably for hours whereas elasticated ear straps start to be uncomfortable surprisingly fast, especially if they’re tight enough. 

You should find the fold allows it to sit quite close to your face both sides of the bridge of your nose, without leaving a big gap, and that the lower fold sits snugly under your chin. 

You can wear the mask for up to four hours – after that, give yourself a break, have something to eat and drink, and put on a fresh one! After wearing, with clean hands untie the bows behind your head and remove the mask by holding the ties. Don’t touch the front of the mask after wearing. Pack the used mask into a ziplock bag until you can launder it. Wash with your normal laundry detergent, ideally at 60C, dry (ideally in bright sunlight), and press with a hot iron before wearing again.

Extra – using 1” bindings:

1” ribbon

Fold the ribbon in half along its length and press to give you two layers 1/2” wide. 

Find the centre of the ribbon. 

With the mask inside surface uppermost, line up the middle of the ribbon with the middle of the mask and align the lengthways fold with the raw edge of the mask. Sew a straight stitch seam in the middle of the fold (about 1/4” from the edge). 

Turn the mask outside surface up, fold the other half of the ribbon over, and secure with a zig-zag stitch as in the main tutorial. 

OR – secure with two lines of straight stitch, one at the very edge of the ribbon and one about half-way between the edge of the ribbon and the edge of the mask. Reinforce the joins as described in the main tutorial. Straight-stitch works fine here because your ribbon should not have any raw edges.

Finally, sew along the doubled ribbon from end to end to secure.

1” bias tape

As with 1” ribbon but start by aligning the raw edge of one of the folds with the raw edge of the inside surface of the mask and secure this first, then fold fully over and secure the front, so that both ‘wings’ of the tape are folded safely on the inside, with no raw edges exposed. You will get the neatest finish with a single row of straight stitch as close to the edge of the front of the binding as possible, but you will still need to reinforce the areas under tension as before.

To finish, sew along the folded over tape from end to end to secure and strengthen the tape. 

Happy sewing – I hope you enjoy making your mask and wear it with pride! There’s nothing better than protecting others. Stay safe everyone!

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Coping with lockdown differently – out with the new, in with the old?

There seems to be a cacophony of voices out there with advice about what we should all be doing during lockdown. We are being bombarded with recommendations: we should learn something new, a language or a skill; we should embark on new creative projects; we should learn new culinary skills and cook three meals from scratch each day; we should bake sourdough (I mean, we should, if we want to, because it’s wonderful – but it’s not obligatory!); we should make banana bread; we should clang pans on our doorsteps at 8pm on Thursday evenings; we should focus on our fitness; we should (re-)read the Lord of the Rings, War and Peace, or some other worthy volume(s); we should start a new business or side-hustle; we should meditate; we should start writing that novel… And we should showcase these achievements, accompanied by artfully-filtered photographs, obviously, on social media so that all our friends can approve of how productive we’re being and how we’re not wasting this time we have been given. 

Sourdough, of course.

Honestly, it can all feel rather overwhelming – particularly when these directives bump up against the reality of lives where childcare, remote working, financial and practical restrictions, and worries for our own safety and for that of our loved ones are all competing for our time and attention. I know a lot of us feel like we have less energy and capacity than ever, despite apparently having more time. Instead of feeling inspired, we feel hectored and hassled by the advice, evidence that we’re ‘doing it wrong’ somehow.

For all that, most of us know instinctively and from experience that some of these things (which specific things will vary from person to person) can help us feel better – more calm and centred, settled, more able to cope with the fears, anxieties, and individual challenges of these unprecedented times. Certainly, for me, holding something tangible that I have made – whether it’s a craft item, or a loaf of bread, a meal, some fresh produce I’ve grown in the garden, or even publishing a blog post – gives me a real feeling of achievement. The process of ‘making’ grounds me in the moment, it can be a very mindful process, and promotes a state of flow, where we can escape from our other concerns. Then again there are times when I want to do nothing more than sit on the garden step in the sunshine, listen to the birds and watch the butterflies, curl up on the sofa with a mug of tea and listen to a record, or enjoy a bubble bath – and if we have the blessing of the time to do these things, wonderful! A moment enjoyed – especially in times like these – is never wasted.

And so, (recognising the irony that I’m becoming yet another of those voices – sorry!) I have an alternative suggestion. You can take from it what you like, or ignore it completely. It’s a simple idea, actually: instead of something new, do something old. Don’t start something, finish something. Revisit what you’ve loved in the past, and build skills you use every day.

All makers and crafters, in my experience, have three things in common. The first is a stash – of fabrics, yarns, papers, pencils, paints, ingredients, books, tools and equipment – relevant to the art(s), craft(s) or making we enjoy. The second is a file (physical, digital, or mental) of projects we’ve thought of starting. And the third – unless you’re one of life’s completer/finisher personalities (and if you are, God bless you, where would the world be without you?) – is probably a modest (or less modest) collection of projects that you started but never quite finished. 

Now, I am definitively *not* a completer/finisher sort of person. Perhaps, like me, you’re a gannet for new ideas and techniques and find yourself picking up a new hobby every few years. Just thinking back over the last decade, I have to own up to taking up home brewing, curing and smoking, sourdough baking, candle making, crochet, embroidery, dressmaking, upholstery, a range of smallholding tasks… each time to solve a problem or try something different. So, tucked away in corners of the house and shed, I have tools and equipment for each of these, a little stash of materials, and, often, an unfinished project or two. 

There are, I think, three main reasons we abandon projects. Distraction (certainly if you’re me!). A change in our circumstances leading to lack of time or attention – going back to work or school, starting a new job, or welcoming a new family member. And sometimes, we walk away from something we’re making because it stops pleasing us – we decide that we don’t, after all, like the pattern or colour, or we feel a mistake we’ve made has marred the item and we struggle to enjoy the process or the item as a result, because we’ve ‘ruined it’. 

something-old_7

I would like to recommend this – find something unfinished, and finish it. You may well not even remember why you gave it up, but you probably do. If it’s down to that tricky final reason, it’s really worth trying to overlook whatever it is about the item you’re unhappy with, and continue. Why would I invest time and effort into something I may not like any more, you might ask? It’s a fair question, so I’ll give it the best and most thorough answer I can:  Firstly, because the sense of achievement you will get from finishing it off properly is truly its own reward. Secondly, taste is a very individual thing, and I’m sure with a little thought you can choose a friend or family member who would be delighted to receive your handmade object as a gift, even if it no longer appeals to you the way you hoped it would (and I promise they will be completely blind to whatever you regard as its imperfections). Finally, and probably most importantly for me – because nothing in this world is perfect, and nothing we make as imperfect human beings can ever *be* perfect, persisting with and completing an imperfect project is a powerful act of acceptance, both of our imperfect selves, and of the imperfect state of the world. In this particular moment, I can’t think of many things more valuable than that!

(It is said that both Amish quilt-makers and Persian rug-weavers introduce an intentional ‘mistake’ into their work, because imperfection is Human, but perfection is the preserve of the Divine. I have no idea if it’s true but it’s a lovely idea.)

On a practical note – it may also be that you stopped because you were missing the next thing you needed to continue – whether that was an item or a skill. I would encourage you to be willing to improvise! Think about how else the item might progress with the equipment and skills you already have. Can you re-purpose what you need – for example using a zipper or some fabric from some old clothing or bedlinen too worn-out for the charity shop? It may not be ‘perfect’ – so what? It adds character! It might even evolve into a rather different, more interesting item than you expected!

Now, if you have no unfinished projects (I mean, I believe you, many wouldn’t…) you could instead re-explore an activity you’ve enjoyed in the past. There’s every chance that if you loved something once, you will love it again. You can probably think back to things you’ve enjoyed doing in years gone by. Did you love drawing or painting as a child? Is there a musical instrument you have neglected in recent years? Did you used to enjoy writing songs or poetry? Have you got a sewing machine gathering dust at the bottom of the wardrobe? Is there an old favourite recipe that you haven’t made in years? Whatever you decide to pick up, just think that it’s only for you, you have nothing to prove – don’t worry about being ‘good’ or ‘bad’ at it (which is, sadly, often one of the reasons we give up things we enjoy) just see where it takes you, and who knows, you may be surprised by the results!

My final suggestion is this – if you don’t feel like making something, why not take some time to strengthen a skill you use frequently? We all, I think, have everyday skills that we’ve taught ourselves as we’ve gone through life. Nearly all of us cook, but few of us have been to culinary school. Most of us type, but few of us went to secretarial college. What tends to happen is that we bootstrap ways of doing things – typing with two fingers on each hand while looking at the keyboard, for example, or the way we handle our kitchen knives – and these serve us well but leave us neither as fast nor as accurate as we would be if we could touch-type, or had ‘proper’ culinary knife skills. But why is this? 

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There comes a point when our self-taught techniques are pretty quick and effective. Effective enough that ‘going back’ and starting to do things an even better way is slow and frustrating and infuriating in comparison. 

When I first taught myself to crochet, I fell into the habit of holding both the yarn and the hook in my right hand and the work in my left hand, using my fingers to loop the yarn over the hook the way you would when knitting. I got pretty good at doing it that way and made a few big projects. But because of the ‘double-action’ looping of the yarn, I couldn’t get any faster. Not only that, several friends asked me to teach them how to crochet and I really struggled to demonstrate technique to them because mine was so wildly unsuitable. To get over that hurdle, I had to ‘force myself’ to do things properly. I started a new scarf project, nothing too complicated but with enough technique and variation to keep me interested (I know myself well enough to say confidently that if I’d started crocheting a ‘test’ rectangle instead, I wouldn’t have got four rows into it before putting it down and never picking it up again), and made myself to hold the hook in one hand and the yarn in the other. It was slow, clumsy, and cumbersome, and I kept having to correct myself when I picked up the project and reflexively went back to my old way of working. At the beginning, I wasn’t just slower than I was used to, I was worse – the tension was uneven, I struggled to manage the yarn in my left hand, and I made mistakes with the pattern because I had to concentrate so hard on what my fingers were doing, all of which led to a lot of really frustrating pulling-down and repeating. But with time I got faster. By the time I’d finished the project, I was just as fast as I had been doing it the old way. I’m even faster now. And Mum loved the scarf when I gave it to her for Christmas!

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The point, more succinctly (sorry, if you read this blog regularly you’ll know that I’m a sucker for tenuously-related anecdotes) is this – sometimes to go forwards we need to first go backwards. In our busy, everyday lives there often isn’t time to do things more slowly for a while in order to be faster and better later. Right now, there might be. 

I’m not going to promise you’ll enjoy it, at least not to start with! But ‘future-you’ will thank you for your efforts. So maybe it’s time to break out Mavis Beacon (is she even still a thing?) and teach yourself to touch type properly. Or find some good YouTube tutorials and start to (re-)learn some kitchen knife skills. Learn to fillet a fish, break down a chicken, or dice an onion like a boss. Maybe there are some drills and scales you ought be doing on your instrument, which you know would improve your playing but you never quite seem get around to? Every one of us (with obvious allowances for disability) has the capacity to do these things well. If you start doing them correctly right now, you’ll be doing them correctly and slowly (OK, sometimes very slowly, and not so well as you might like, initially!). Doing them correctly and fast comes with practice – there’s no alternative to repetition! Keep stubbornly doing it the new ‘right’ way and the rewards will come, and they’ll come faster than you expect. And the benefits will last a lifetime. 


Thinking of you all, wherever you are around the world and whatever life is throwing at you at the moment. Do what works for you. Ignore what doesn’t work for you. There’s no right or wrong way of coping with unprecedented times.  Be gentle with yourselves. Cherish the small wins and the every day joys. Stay safe. You’ve got this!

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Fridge Dough, your Flexible Bread-Baking Friend – from the Fallback Pantry

Home-baked bread is the best, isn’t it? But there’s no way around the fact that it can be time consuming – by the time the dough has been mixed, kneaded, proved, shaped, proved again, and finally baked you’re at least two, if not three or four hours into the process. Flatbreads like Pitta, wraps, and pizza, can be made a bit faster, but the dough still needs to be mixed, kneaded, rested, and shaped before it’s baked or cooked in a skillet – so you’re still waiting an hour at least before lovely fresh bread can be yours.  

At the moment, while many of us are at home under restrictions, time may not be such a challenge as it normally would be, but access to ingredients can be an issue. In various places, yeast seems to be a commodity in short supply. Fridge dough can help us here, too.

Dough in the mixer

What if I told you you could have a batch of dough, in your refrigerator, ready to be baked into flatbreads within about half an hour, or risen dough loaves, rolls etc after simply shaping and an hour or so proving? And what if I told you that this was a batch that you could keep using again and again just by adding fresh flour, water, and a little pinch of salt and sugar. Sounds like magic, right? 

In a way, it is – it’s the magic that has kept traditional bakeries going for centuries, long before standardised, fresh and dry commercial yeast became the usual technology for baking loaves. It’s not *quite* a magic bullet for yeast shortages – you will need a dose of yeast to start it, and you may need to top up with fresh yeast from time to time (because of a process called attenuation that I’ll come back to), but by using this technique you should be able to have almost ready-to-bake dough ready to be used at the drop of a hat, and stretch a single spoon-full of dried yeast to bake batch after batch of lovely fresh bread, which is great if you’re trying to eke-out limited supplies. 

I’m sold, how does this work? 

You start by making a batch of normal yeasted bread dough. Mine is made from a mix of 75% strong white and 25% wholemeal flour, because it gives a lovely flavour and texture while retaining the nice soft character of white bread, but use whatever you prefer. 

Start your batch with:

  • 500g strong bread flour (75% strong white, 25% strong wholemeal)
  • 1tsp dried instant yeast
  • 1tsp salt
  • 1tsp sugar
  • Progressively add cool water to make a well hydrated, elastic dough. 

Kneed by hand or in a mixer with a dough hook, with a little oil (I use cold-pressed rapeseed oil, but a nice light-flavoured olive oil would be fine), for 5-10 minutes until the dough is soft, pliable and elastic. 

Oil the inside of a bowl, or Tupperware-type container (a size about 3-4 times the volume of kneaded dough is ideal), pop the oiled dough into this, cover with a lid or cling film (don’t seal it completely as you need to allow gas to escape as the yeast works) and pop it in the refrigerator at least overnight. 

Fridge dough in tupperware container

When you come to use the dough:

  • Take the dough from the fridge, turn it out onto a clean, oiled worktop, divide the batch in two. 
  • Set half aside to bake with, and put half into a bowl or mixer, and add:
    • 250g strong bread flour (mix as above)
    • Pinch of salt
    • Pinch of sugar
    • Mix, adding enough cool water to make a well hydrated, elastic dough
  • Kneed, oil, and return to the refrigerator. You need to be baking with and refreshing the dough at least every 2-3 days to keep it healthy and in good condition. 

Now, you can bake the other half of the batch. The technique for pittas is here – you should be eating them within 30 minutes – but really anything you can think of will probably work, just experiment! The recipe and process for soughdough pizza should be equally applicable to your fridge dough. I will add to the tested techniques in a future blog post.

 

But my yeast is out of date and a bit rubbish, will this still work?

The key here is to really get the yeast going before you make the first batch, so I would modify the process like this:

Activate your yeast in some warm water with a bit of sugar, waiting until it really froths up nicely before making the dough. Then, rather than putting the dough straight in the fridge, I would allow it a full proving cycle at room temperature, so that the dough at least doubles in size, I would then take half the dough out and bake with it straight away, add fresh flour, water, salt and sugar as above, and only then pop it in the fridge. Hopefully your yeast will be strong and healthy and present in sufficient quantity by this stage. 

It worked, to start with, but it’s been in the fridge a couple of weeks now, and despite baking and refreshing regularly it’s just not rising properly any more. My loaves / rolls are turning out heavy and stodgy. What’s going wrong? 

You’ve almost certainly run into a problem with yeast attenuation. Without getting unnecessarily nerdy about this, your fridge dough is a live yeast culture. Yeast is a highly adaptable little blighter which gets through generations fast, and the culture you are maintaining in your dough can quickly change its growth characteristics to adapt to the circumstances it finds itself in. For nice soft puffy risen loaves and rolls, you want a yeast that expands its population rapidly at room temperature when its nutritional needs are met (that’s to say, once you shape the dough and leave it to prove before baking). Keeping the dough in the fridge, convenient as it is, in in effect selecting for yeast strains that are happier working and dividing more steadily at colder temperatures. This is less important if you want to use the dough for flatbreads, pizza bases and so on, as you’re not asking the yeast to put on that final ‘push’ of multiplication before baking, but if you want to use the dough to bake loaves and rolls too, it can be an issue. 

One option is to add an extra spoon of new yeast next time you add fresh flour to the mix. You’ll probably find topping up every four or five times keeps things ticking over reasonably crisply, and you’ll still be reducing your fresh yeast use by a significant margin. 

Another option worth experimenting with is giving the dough a room temperature proving step every few uses (as described above with older  yeast) as this might tune the behaviour of the yeast culture more towards the one we want. 

If all else fails, bake up a big batch of pizza or pittas with the dough you have, and start over!

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Give Us This Day Our Daily Bread – a collection of recipes from the Fallback Pantry

Limited shopping opportunities mean many of us are baking bread at home for the first time – or at least, for the first time in a long while! So here’s a quick round-up of recipes and techniques to give you some extra ideas and inspiration.

“But I can’t get…” Some advice on ingredients and making do:

Flour and yeast seem to be ingredients in short supply at the moment, so some creative baking may be required.

If you can’t get bread flour, you still have options if you have other flour types available.

  • Chapati (Atta) flour works well as a bread flour, it makes a slightly dense but very tasty wholemeal loaf. I recommend using a bread tin for this.
  • Soda bread and flatbreads are more forgiving than traditional loaves – you can make pittas, tortillas, chapatis and all sorts of lovely things.
  • You can bake with any mix of bread flours – combining rye, spelt, or wholemeal flour with strong white gives a tasty satisfying loaf which rises better than these flours will on their own.

If yeast is the problem:

  • Get cracking with that sourdough starter!
  • In the meantime, experiment with soda bread.
  • Old expired yeast (those packets in the back of that cupboard!) will be sluggish and produce poor results, but can often be brought back to life. It will take a little care and attention – activate the yeast in some warm water with a bit of sugar before baking, even if the instructions say this isn’t necessary, and use more than the recipe says. Be prepared to give it extra time to prove – time is flavour so this is not a bad thing!
  • If you have a little bit of yeast, you can make it last (almost!) indefinitely by making a ‘fridge dough’, which maintains a live yeast culture in the fridge for batch after batch of baking. This is what traditional bakeries have done for centuries, and works really well – store the live dough in the fridge and plan to bake two or three times a week to keep it refreshed and active.

Good luck and happy baking!

Yeasted breads:

No Weigh! – the bake-anywhere, traveller’s loaf
A basic, white bread recipe and technique which requires no special kitchen equipment – if you have flour, water, salt, yeast and oil, access to an oven and some sort of a baking tray, you can make this loaf.

Don’t be Sour – a dalliance with yeasted ‘quick’ bread
A good basic ‘pain d’épi’ loaf recipe that can be adapted for all sorts of different flour types.

Roast Garlic & Rosemary Bread
A lovely fougasse-type bread ideal for serving with pasta.

Pain de Savoie, from Paul Hollywood’s ‘Bread’ – Cooking the Books, week 2
This is a filing, savoury loaf with which is a meal in itself – made with bacon (or ham) and cheese, it really hits the spot.

Milk Loaf, from ‘How To Bake’ by Paul Hollywood – Cooking the Books, week 14
Something a little sweeter and more sophisticated – if you’re missing posh breakfast breads this simple but delicious milk loaf might be for you.

 

Sourdough (and semi-sourdough) baking:

Sourdough Saga: Episode 1 – failure to launch
How (not) to create a sourdough starter.

Sourdough Saga: Episode 2 – keep calm and carry on?
We got there in the end!

Sourdough Saga: Episode 3 – good things come to those who wait!
My basic sourdough recipe.

Sourdough Saga: Episode 4 – cheese and sun dried tomato bread
A nice recipe variation.

Sourdough Saga: Episode 5 – how to look after your starter

Sourdough Saga: Episode 6 – awesome home-made sourdough pizza
This is a really good replacement for take-away!

Sourdough Saga: Episode 7 – six months on, life with my sourdough starter

Sourdough Saga: Episode 8 – semi-sourdough baguettes
Not a ‘novice’ bake, but one I’m really really proud of. These baguettes are the business!

 

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Seeds of Change – this year’s garden plan begins

Daffodils are hereWelcome to March, and spring is (or at least should be!) just around the corner. Last night, the first ‘Gardeners’ World’ of the year aired on BBC2: you might say that the official ‘starting gun’ of the gardening year has been fired.

We’ve had some exciting weather here in Cornwall to start the month, with heavy snow and freezing temperatures, so much so that we actually got to go skiing on our field! I can’t help but wonder if we’re the first people ever to ski in this little corner of the county? But if the weather outside can’t make up its mind, inside, we’re making plans for the new growing season, and our first seeds – tomatoes and chillies – are sown and have already germinated.

Skiing in Cornwall!

This year, I’ve had a rethink of the approach to my veg growing. Out go the F1 hybrids, as you can’t save seed from them and they leave me dependent on buying seed from a progressively smaller number of commercial seed producers, most of which are divisions of the sort of large multinational agrochemical companies I would rather not be supporting – even in a small way – with my hard-earned cash. In their place, heirloom varieties with a good track record of performance in garden growing situations, which hopefully I can save seed from for future years, improving the sustainability of our growing while reducing my annual seed bill.

It begs the question, of course, of why F1 hybrids are so popular? As I see it it’s a combination of things – not least, I’m afraid, a cynical preference for what are effectively ‘copy-protected’ seeds on the part of the seed sellers, as the offspring of F1 hybird varieties will not come ‘true to type’ and will often have very inferior production characteristics. But besides that, F1 plants are often that bit more vigorous (so called ‘hybrid vigour’) and are very consistent in their growth. Want ten (or a hundred, or a thousand) identical tomato plants, which will germinate together, grow at very much the same pace, and produce identical-looking and consistently sized tomatoes? If so, you need hybrid plants, as there will always be a bit of variability from plant to plant in open-pollinated heritage varieties.

Who cares about that? Commercial growers, mostly – while I can see that it might have some benefits to the produce showing fraternity (as the judging at vegetable shows is obsessed with the consistency of the vegetables presented – three or five near-identical peas will always beat bigger or better inconsistent specimens), it’s actually the case that most keen vegetable showers are keen to maintain and improve their own varieties, keeping seed from the best producing plants to improve their performance from year to year, something which is impossible for F1 plants.

Also out are dwarf peas and beans – I’m sure they have their use, but darned if I can think of it? I have a feeling that, again, they were developed to allow commercial, field-scale growing of beans without the need for supports, which can then be harvested by machine. But for the individual gardener, what a waste of growing space they represent, if you can instead grow them upwards on a great big wigwam and get a far bigger harvest from each individual plant. They’ve become so prevalent in the seed catalogues these past few years that I keep finding I’ve bought dwarf bean seed by accident. This year, no more – if it can climb, it will climb!

Soil blocks for growingA few years ago I started experimenting with soil blocks for seed starting. The mix I developed then – 4 parts peat free multipurpose compost mixed with 1 part vermiculite and 1 part topsoil (harvested from our generous numbers of field molehills!) continues to serve me well. We’re as strictly peat-free here as we can be – though it can be hard to source reliably peat-free plants.

The blocks work extremely well for mid-sized seeds that are single-planted, or for little seeds planted in small clumps. The 2 inch blocks that I make are obviously little use for anything bigger – beans, peas, and pumpkins / squashes still get started in 3 inch pots. But they’re a great way of reducing the amount of plastic we use in the garden, as they fully replace module trays – and my experience is that seeds started in these blocks transplant outside really well, with almost no ‘check’ to their growth when relocated – probably due to the minimal handling and root disturbance, combined with the fact they are already accustomed, thanks to the soil component of the mix, to the soil conditions here.

This year my chilli varieties are Santa Fe Grande, Ring of Fire and Maule’s Red Hot – sourced from US-based heirloom seed supplier Baker Creek Seeds. I’ve chosen these three specifically because they’re short-season varieties – one of the problems I’ve had with chillies in the past, growing outdoors in the tunnel, is that I’ve grown fantastic plants but there just hasn’t been enough time for the chillies to ripen before winter. With a bit of luck, these should fruit and crop earlier. Having decided on these, sown and germinated them, I was introduced last night on Twitter to a traditional African variety called the Fish chilli and I’m caught – it’s a beautiful variegated plant that produces variegated chillies! – I ordered some seed last night, so let’s hope it arrives quickly and is able to catch up for the missing growing weeks.

Tomato and chilli seeds

My tomatoes are Cuor Di Bue (Oxheart) and San Marzano, from Italian seed suppliers Franchi. The Cuor Di Bue packet, unusually, advised me to sow under a waxing crescent moon – which, as it happens, I did, however unintentionally! Joining them, from Baker Creek, Rutgers, A Grappoli D’Iverno (Italian winter grape), Brad’s Atomic Grape (a bizzare-looking, streaked, technicolour variety), True Black Brandywine and Black Vernisage. That makes seven varieties, which is three too many. Last year I only grew four (Oxheart and San Marzano, along with Golden Sunrise and my Grandma’s old favourite, Moneymaker) and decided firmly that it was a good plan and I’d be strict with myself in future and not over plant… What can I say, I’m a sucker for a seed catalogue!

I’ve had great, quick, strong germination this year – the tomatoes were almost all up on day 4, and the chillies broke the surface between days 10 and 14, really brisk germination and better than I’ve had in the past. I put this down in large part to my new gardening gadget purchase of the year: I’ve invested in an LED grow lamp for my germination set-up, to add to the two cheap heated propagators that have been my dependable friend for years now.

Strong growing seedlings

The cost of LED lamps has crashed recently, and my panel cost me less than £20, with very little electrical running cost, either – LED lights are very efficient. When previous grey springs have produced weak, leggy, lanky seedlings, this year’s plants seem strong, are growing vigorously, and are a lovely dark green colour. I’m particularly impressed with the effect on germination, which I hadn’t anticipated. Better still, my baby plants are no longer jammed into window sills all over the house, but instead can sit on a bench in the back hallway, where the temperature is more stable and they’re not so at risk from low overnight temperatures. It also feels less like I’ve transformed my entire home into a grow-house. At this rate, I’ll need to buy a second panel to cover more of my growing bench!

I’ll be back to keep you posted soon!

P.S. Those of you who are long-time followers of the blog will remember Dave the dog, our wonderful Rough Collie, who made regular cameo appearances here. I’m sorry to have to tell you that we lost Dave last year, he was thirteen, not a bad age, and unfortunately his legs eventually let him down. We miss him very much. 

But all clouds have a silver lining – and this is ours: she’s called Rosheen, has rampaged into our lives like a little tricolour whirlwind, and I’m sure you’ll all be very familiar with her antics soon!

Rosheen in snowstorm

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Like a Rocket – summer glut-busting: wild rocket pesto

Summer days are here at last, and for those of us who grow our own fruit and vegetables, that means the summer gluts are starting, too. Wild rocket is really very easy to grow, which is great, as the sad little plastic salad bags at the supermarket cost a small fortune! Even if you only have space for a window box or a pot on a sunny doorstep, you’re quite likely to be able to grow more of this really punchy, peppery salad leaf than you can bear to eat in salad. Even better, wild rocket is perennial, which means that you only have to plant it once and it will come back, year after year. In the garden of our last house, we ended up with a big clump of wild rocket growing at the edge of the lawn which served us for many years.

A few weeks ago, I transplanted three rather sad looking overwintered plants from an exhausted grow-bag into one of the raised beds in my poly-tunnel. And look what happened!

Wild rocket

There you go, straight away – more rocket than I can possibly eat! And then, I thought – I wonder if I can make pesto with this stuff? It’s punchy, peppery, and in many respects quite like basil, so I was hopeful. A quick search around the internet confirmed my suspicions that it should be possible, so I got picking.

For my batch of pesto, which filled an average-sized jam jar with a little to spare, I used –

  • 120g of freshly picked wild rocket leaves. To give you a rough idea of how much rocket that is, the supermarket packs of rocket leaves are usually between 50g and 70g.
  • Washed & dried rocket3 large cloves of garlic
  • 50g pine kernels, lightly toasted in a dry frying pan
  • 50g good quality parmesan cheese
  • Plenty of good extra virgin olive oil
  • One lemon
  • A pinch of salt

Wash your rocket, removing tougher stems and any flower stalks, and dry it in a salad spinner (or give it a really good shake in a colander with a plate over the top).

You can make this pesto in a pestle and mortar (in fact, it’s my favourite way of making small batches of basil pesto, as you keep closer control over the texture and you’re much less likely to over process) but given the quantities I used my food processor for this batch. First, blitz the garlic cloves with a pinch of salt until they’re finely chopped down. Then add the parmesan, and reduce to crumbs, before adding the pine kernels. Aim to retain some texture in the pine kernels, you’re not trying to purée them!

Once that’s done, add the rocket, a handful at a time, adding some olive oil as you go if the mix gets a bit dry. Aim to retain a little texture in the mix.

Rocket pesto after processing

Once it looks like this, squeeze in the juice of half a lemon, mix well, and add oil until it reaches the texture you prefer. Taste – you’ll find it punchy, peppery, and pungent – and add more lemon juice if you feel it’s needed. You won’t need to add pepper – trust me on this! – but you may want to add a little more salt at this stage, too.

The pesto will store for a few days in a screw-top jar in the refrigerator. Keep the surface covered with a layer of olive oil to prevent oxidation. If you want to store your pesto for longer, you can freeze it in an ice cube tray, and take it out in single-serve portions. How clever is that?

Pesto in jar

Use your rocket pesto any way you would use the basil kind. It’s wonderful stirred through pasta or, particularly, gnocchi. Add a few little dabs to the top of your pizza before baking. Or spread it on burger buns as a punchy, peppery relish.

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The Eurovision Drinking Game – 2016 Edition

It’s Eurovision time again! Where has the time gone? I had almost decided to skip the traditional Eurovision Drinking Game Rules post this year, but Hubby convinced me otherwise. So, somewhat belatedly – sorry folks, I’ve been incredibly busy the last few months – it’s that time again! The 61st Eurovision Song Contest takes place tonight – yes, TONIGHT – May 14th 2016, in Stockholm. <whispers> And this year, I’m going to miss it! The pathos! The tragedy! So I need all you guys to play extra hard on my behalf, OK?

Before we go on, I must pause to welcome our American friends, who for the first time ever can watch Eurovision live on tv! How exciting for you guys! You are, I suspect, going to find the whole thing rather mystifying – don’t worry, just keep drinking, and you’ll find the disorientating effect of the contest itself is rapidly replaced with a soft and comforting dizziness. The Eurovision Song Contest has a long and distinguished history, in much of Western Europe, both as an iconic event in the pantheon of LBGT pride, and as an excuse for an almighty pissed-up party. Inexplicably, some of our Eastern neighbours meanwhile insist on taking the whole thing seriously. Anyway, welcome y’all, join in, and enjoy!

Flags!Like so many good and worthwhile ideas, these rules started life at a university party, well over a decade ago. They have been carefully curated and updated over the years, and play-tested by a number of kind ‘volunteers’, some of whom even recalled enough the next morning to provide helpful feedback and suggestions! So, without further ado, I present to you – The Countryskillsblog.com Eurovision Drinking Game, 2016 Edition.

How to play –

This is a forfeit game. A variety of features of songs and the performances have been selected, and their appearance triggers a drinking forfeit. This is usually (but not always!) ‘take a swig’.

Shot glassesIt’s a really good idea to divide up the countries and songs between your players. Extensive play-testing experience suggests that human beings with normal sized livers (or those who wish to retain them, in any case!) should probably not attempt to play for more than three or four songs each.

You might do this by ballot, draw straws before each song, or adopt some other creative or arcane method of your choice (rolling dice, top trumps, whatever you fancy frankly!). Smaller parties may chose not to allocate a player to every songs. All of the players playing for every song is likely to result in unpleasant consequences, and cannot be recommended!

The Competition –

Begin any song that you are playing with a fully-charged glass.

Certain features of the song and performance trigger a forfeit. These features can appear more than once in a performance (and sadly, often do!) and ‘score’ each time they appear – so the now legendary ‘Bucks Fizz’ skirt removal would represent a single costume change, because it happened in one go, but a song that repeatedly swaps languages or makes major-to-minor-and-back-again key transitions triggers a forfeit on each switch.

Take a drink for each instance of the following:

The song –

  • OrchestraChange of language
  • Change of key (take an extra swig if the key change is so egregiously telegraphed you can see it coming for miles)
  • Change of tempo
  • Wordless lyrics (da dum da, mana mana mana, lalalala)

The performer, costume and performance –

Folk Dancers

  • Folk costume
  • Folk instrument
  • Folk dance
  • Weapons (with an extra-big swig if they’re ‘folk’ weapons – axes, pitchforks, flaming torches etc)
  • Uniforms – military & civil (including costume references to same – epaulettes, insignia, military-looking hats and suchlike).
  • ‘Game of Thrones’ costume or set references.
  • Office wear, three-piece-suits
  • Dubious uniformsFlags, banners, national symbols
  • Pyrotechnics (take an extra big swig for the falling-curtain-of-fire effect)
  • Smoke, fog, wind machine
  • Costume change
  • Bare feet, bare torsos
  • Underwear as outerwear, ‘nude’ body-suits
  • Spandex, lurex, sequins
  • Leather, rubber, PVC, bondage wear
  • LEDs or other lighting incorporated into costumes
  • Fur, feathers, wings
  • Feather BoaTrapeze or wire-work
  • Magic, circus themes
  • Booby Prize – ‘Uncanny Valley’ The appearance of an animated human or human-like avatar triggers the booby prize. Players should immediately down the remains of their drink.

The half-time performance (or the ‘Riverdance’ slot) –

The host country puts on a performance on during the ‘voting gap’. Everyone plays for this segment, using the same forfeit list as for the songs.

Bottles and bottles

Voting –

The voting round should be considered advanced play, and may be unsuitable for novice players or those with a delicate constitution. These rules are intentionally kept simple. They need to be, by this time in the evening!

  • Before each set of results are announced, everyone guesses where the 12 points are going. If anyone gets this right, those who got it wrong take a swig.
  • ‘Booby Prize’ – Everyone downs their drink if the presenter gets the country they’re speaking to wrong, calls the national representative by the wrong name, or gets their pronunciation corrected by the national representative.

Well, that’s all, folks! Have fun at your Eurovision parties, and if you do decide to try these rules, please do comment here or tweet me @CountrySkills. Do please share widely – everyone needs a bit of Eurovision fun in their lives!

And remember, please drink responsibly (*ahem!*), and definitely don’t drink and drive, attempt DIY, deep fat frying, change important passwords or operate heavy machinery. Finally, your hangover is your problem, not mine, so don’t come crying to me in the morning!

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Hugh’s on the Warpath – but is bin-shaming really the way to tackle food waste?

Last night the indefatigable Hugh Fearnley-Whittingstall launched onto British television screens with a new crusade, ‘Hugh’s War On Waste’. After taking aim in previous campaigns at factory farming of poultry and against the practice of discarding fish catches at sea, this time his target is the vast scale of food waste in our homes and in the supermarket supply chain.

Let me start by saying, first of all, that I completely agree with Hugh’s view that food waste (and waste generally in our society, whether that’s disposable fashion or indiscriminate upgrading to the latest electronic gadget) is a disgrace. Perfectly edible food is wasted in the supermarket supply chain, downgraded for failing to meet the ‘Stepford Vegetable’ cosmetic standards the supermarkets insist that the British Housewife demands, or thrown in a skip when past the sell-by date. The food that makes it home with us is scarcely better off, discarded from our kitchens by the bag-full, whether this is misguidedly premature, led by confusion about food safety advice and the best-before date conundrum, or genuinely putrid, neglected and forgotten in the back of our fridges and the bottom of our fruit bowls, the victim of overbuying and poor meal planning.

Processed meat selectionThese two things, it seems to me, are very different problems; I think naming and shaming supermarkets (and other food businesses) for abusive contracts and wasteful supply chain practices is entirely worthwhile – they’ve shown that they don’t like having daylight shone on their dodgier business practices in the past – and has potential not just to reduce waste, but also to improve the situation of their farm suppliers, but I’m not all sure that rooting through people’s wheely bins on telly and shaming them for throwing away food is likely to have any useful effect on waste from homes.

Why? Well, people throw away food essentially for one reason – because they believe it’s ‘off’, and not good to eat.

Sometimes they’re right, as the hairy, slimy green peppers that I occasionally discover at the back of my fridge bear witness. But often they’re mistaken – much the food being discarded from kitchens is perfectly sound and being discarded on a precautionary basis by worried families without the food knowledge to tell the difference or the cooking skills to make great meals from ‘bits and bobs’ or ingredients which may be past their best, but remain perfectly edible.

People up aren’t throwing away edible food because they’re stupid, thoughtless, or enjoy throwing money away. They’re wasting food because they’re afraid of it. And the reason they’re afraid of it is, fundamentally, because of a huge gap in food skills that has developed in this country (and, I suspect, in many countries in the developed world).

Young adults in the UK today, if they’re unlucky, could be two generations away from the last person in their family who regularly cooked at home from fresh ingredients. Their grandmothers will have entered the workplace during WW2, and in many families, never left it afterwards. The war years with food rationing would have been inconceivably difficult, and the advent in post war years, first of domestic freezers, and then  of ready meals, would have seemed an incredible boon to these working families. As a result, many baby-boomers grew up in households where meals were rarely if ever cooked from scratch and their children, in turn, are now raising families of their own, stripped of the skills and knowledge that their grandmothers would have taken for granted, and with no obvious way of bridging the gap. It isn’t a matter of money, class, or even of general education, but rather a family-by-family lottery.

People I’ve known and worked with over the years illustrate this issue vividly. Lovely, intelligent ladies, all, and half a generation older than me for the most part. One refused to have anything in her fridge that wasn’t a sealed packet – anything, once opened and not consumed, was thrown away. My enquiries about leftovers were met with a look that I can only describe as alarm. Another fed herself, and her family, almost entirely on take-aways and what she called ‘ping-meals’ (microwave ready meals). Any jar she opened was labelled in permanent marker with the opening date and disposed of no more than seven days later – including very stable foods like jams and chutneys. Another admitted – and readers who grow their own veg might want to look away now – to furtively disposing of vegetables given to her by her allotment gardening neighbour, because they were ‘dirty, and had holes in’.

I genuinely don’t know how we solve this problem – but until we do, no amount of telling people it’s wrong to throw out food is going to make them eat something they suspect will harm them – quite probably wrongly, but nevertheless, or that they can’t see how to make into a meal. The lady with the bacon and eggs, shamed by Hugh into taking them back inside, is not, I suspect, going to eat them, no matter what she’s told. This skills gap, of course, has implications for problems beyond waste, including, most obviously, on heath.

I was incredibly lucky to have a grandmother who taught me a lot – not just about food and cooking, but in her attitude to life. Grandma, like many of her generation, considered wasting food to be almost sinful – I do wonder how we’ve come so far from this view now that we so often think of it as a normal part of life!

In the meantime, here are my top five tips for reducing kitchen food waste –

1) Buy the smallest fridge you can survive with, and the largest freezer you can find space for. And freezer baskets.

This makes sense when you think of how much perishable food goes into fridges only to be pushed to the back, forgotten, and allowed to go rotten. We have a much smaller fridge here in Cornwall than at our old house, not, initially, by choice. But by reducing the amount of fresh food we can keep to a couple of days worth of meat or fish and less than a week’s worth of green vegetables, we have dramatically reduced the amount of it that gets a chance to become inedibly past it’s best before we manage to eat it.

Sliced lemon and lime, bagged for freezingA big freezer gives you the capacity to freeze anything that you’re not going to get the chance to eat before it goes off, as well as freezing leftovers into home-made ready meals for later use. It also means you can keep a good variety of frozen vegetables which are a great, healthy, and low-waste alternative to perishable fresh vegetables.

Having access to a large freezer also means you can buy in bulk when you get the chance, and save money – but always remember to break large packs into sensible sizes before freezing – in our house packs of four chicken thighs are much more useful than trays of 20! But things can easily disappear into the back or bottom of large freezers, not to be seen for years – freezer baskets and a spot of organisation are essential to keep your frozen foods accessible and easy to find.

2) Don’t buy fresh meat, fish and vegetables from the supermarket. Definitely don’t buy ‘prepared’ vegetables.

Supermarkets sell fresh, perishable produce in pack sizes to suit themselves, not you. Then they often price them – with the help of 3-for-2 style offers – to encourage shoppers to take more home than they bargained for. The extra food may seem like a good deal, but unless it’s thoughtfully frozen, it will often end up going uneaten and ending up in the bin.

In addition to this, fresh fruit and veggies in supermarkets have sat in their supply chains for an awfully long time, far longer than you might expect in some cases – apples are stored in temperature controlled, oxygen-free warehouses which dramatically slows their deterioration, but that process cracks right on with a vengeance just as soon as the produce emerges from their enforced hibernation. Fruit and veg ‘fresh’ from the supermarket shelves often just doesn’t keep the way you’d expect.

Prepared fruit and veg – trimmed beans, peeled apples, diced mangoes, and the worst offenders of all, washed and bagged salads and stir-fry mixes – are some of the worst culprits in the food waste stakes. Despite the ‘protective atmospheres’ that these products are packed in, peeling, dicing, slicing and shredding vegetables dramatically reduces their shelf life (take two apples, slice one in two, leave the other whole, and stick them both in the fridge for a few days if you don’t believe me) making them much more likely to go to waste. And that’s without even considering the huge amount of packaging waste that also results from ‘prepared’ products.

A final reason not to buy fresh produce from supermarkets, is that their purchasing practices are pretty universally awful, full of waste and focused on supply-chain characteristics and cosmetic appearance far above flavour or nutrition.

So what are the alternatives? Well, find your local butcher and fishmonger, and buy from them. You’ll be able to get exactly what you want, in exactly the quantity you want – the quality will almost certainly be better than the supermarket, the butcher will likely be able to tell you about their origins, and you won’t end up paying over the odds, either. As for fruit & veggies your local grocer, if you have one, is ideal. That way, you can buy what you want, when you want. Veg boxes are great, but require a flexible approach to cooking and a willingness to try new things depending on what arrives in your box, so if this doesn’t honestly describe you, they may not be the right answer.

3) Meal planning

I admit, I’m bad at this one! But if you’re the organised, list-making type, it can save a lot of waste, not to mention a lot of money! If you can’t manage that, then try to keep a close eye on the contents of your fridge, bearing in mind what you’re going to eat today, and tomorrow. If there’s anything perishable in there that you’re not planning to eat in the next day or two, consider freezing it now – you can always defrost it again if you change your mind!

Not every food in your fridge will lend itself to freezing, but most will if you learn a trick or two. Meat and fish will usually freeze fine as it is. Milk, cream, butter and cheese, incidentally, can also be frozen – cream will often need to be whipped after defrosting, but is absolutely fine for cooking with. Vegetables often won’t freeze straight from fresh, but many will freeze really well after simple cooking such as dicing and roasting in the oven, or par-boiling.

4) Make and grow your own

I know this may seem impractical if you’re short on time and space, but even if you only grow a few salad leaves, some fresh herbs, or a single strawberry plant in a sunny window box, there’s something transformative about growing your own food.

Once you’ve planted the seed, cared for it, and watched it grow and ripen with anticipation, the idea of letting it go to waste is almost inconceivable. I go to great lengths to make sure I use every last thing I grow in my garden and polytunnel – freezing, pickling and preserving what I can’t use fresh – because the idea of wasting any of it makes me feel awful. That feeling can’t help but extend itself to food I buy, which, after all, has been grown with care and attention by someone else.

Tear & enjoyThe same principle extends to baking your own bread – one of the most wasted items in our kitchens. Once you’ve made your own glorious fresh loaf, believe me, it won’t be wasted. And you’ll go off the spongy supermarket rubbish pretty sharpish, too!

5) Up-skill!

Take every opportunity to improve your food and cooking skills and knowledge. I don’t mean by watching celebrity chefs on telly – that’s just sight-seeing. And you don’t need to go to expensive masterclasses or kitchen-school weekends.

Indian kebabs, servedKeen cooks are usually keen to share what they know – just look at the number of food bloggers out there! They will exist amongst your friends, your family, and your colleagues, so why not ask if you can cook with them? Perhaps there’s something else you can offer to teach them in return?

Practice. Experiment. Buy a few good cookbooks. And seize any opportunity to learn from others – from your grandparents, if they’re still with you, and other peoples’ Grannies, should the opportunity arise. Seek out older members of your family and learn what you can about your family food traditions. You never know, you may learn about a lot more than food!

Have you got any top tips on reducing food waste at home? Any bright ideas on how to close the food-skills gap? What do you think of Hugh’s approach to solving the food waste problem? Please comment below!

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Sourdough Saga: Episode 8 – semi-sourdough baguettes

It’s difficult to believe that it’s over three years since sourdough baking became a regular part of our life and our diet, back in May 2012. I predicted at the time that life would never be quite the same again and, in a variety of small ways, that’s definitely true. A lot has changed in our lives since then, but home baking has remained a constant despite upheavals and long working hours. We make a mix of sourdough and traditionally-yeasted breads at home, and they’re all wonderful in their own ways; the bar is set very high for bought breads and when time precludes home-baking, we’re inevitably disappointed by what we can buy in the shops.

Fresh from the oven

Bread can seem like such a small, inconsequential thing, a cheap commodity which requires very little consideration. But good bread – really good bread – is a thing of great joy, not an afterthought but the crowning glory of a meal, or even a meal in itself. Still warm from the oven, with wonderful cornish unsalted butter melting into the crumb, I wonder if there is any more satisfying food in the world?

My wholemeal sourdough starter, ‘Seymore’, continues to thrive, and in some sense procreated last year when I started the process of converting a batch of starter to white flour. Each white flour feed progressively shifted the proportions and the starter is now 100% white. I find the white starter raises white loaves quite a bit more effectively than the wholemeal one did (presumably because the balance of microbes within it is already adapted to using white flour as a food source), so now like raises like – Seymore has an outing when I’m baking wholemeal or spelt, and the new white starter makes a quite wonderful, airy and chewy 100% white sourdough loaf.

A year or more ago, I had a hankering for home-made baguette. Initial experiments and trials with recipes in my cookbook library were all rather disappointing – they produced baguette-shaped loaves, but lacked not just the flavour, but also the crumb and the chewy, toothsome, slightly elastic crust of a genuine French loaf. French cookbooks, of course, were no use whatsoever – no French housewife in her right mind bakes her own bread, when there’s still a traditional ‘boulangerie’ in almost every village and on almost every street corner.

So I kept reading, and asking questions, and stumbled upon Paul Hollywood’s recipe from his pre-TV ‘100 Great Breads’ book, which begins with an overnight sponge, much like my everyday sourdough loaf. A bake through of his recipe produced one of the worst-behaved doughs I have ever worked with, but also gave me the best results to date. But it was still most definitely lacking ‘something’ in the flavour and texture departments. The sponge step, though, gave me an idea – what if I incorporated some of my white sourdough starter into the mix? Might that add, not just the complex savoury flavour that was lacking, but also the chewy elasticity to the crust? I had to experiment.

A year of trials later, I have a process that, while it’s not a ‘novice bake’, works very well and reliably for me, and as a bonus, can even be baked the same day you start if you forget to start the sponge the night before baking. It’s a ‘hybrid’ bread, making use of both the sourdough starter and of bakers’ yeast (much as many commercial loaves labelled as ‘sourdough’ do!). And while the results can sometimes look a little ‘wobbly’ and rustic, they have every bit of the flavour and characteristics of the loaves I enjoyed for my breakfast on a visit to Paris back in March. Torn in half, with unsalted butter and jam and a big mug of coffee, I challenge you to find a better everyday breakfast.

Of course, you can bake these loaves without the sourdough starter – you’ll be baking something like Paul Hollywood’s original recipe, and it’s not bad, but it’s just not the same!

To make these semi-sourdough baguettes, you will require –

  • Ingredients200g of 100% hydration white sourdough starter (that is, made up of 100g of flour and 100g of water), which has been ‘fed’ within the last 24hours. You’ll need to adjust the quantities of ingredients if your starter is balanced differently.
  • 400g of French bread flour (you can use British-style strong white bread flour, but the texture and flavour aren’t quite right; you’re going to a fair bit of trouble for these loaves, so it’s worth tracking down the good stuff!)
  • 200ml of water at room temperature (or gently lukewarm on a cold day or when short of time)
  • 1tsp or a 7g sachet of dried instant yeast
  • 1tsp salt (this is my personal preference – recipes often double this quantity)
  • 50g of softened unsalted butter
  • Oil for kneading, and
  • Semolina for dusting the baking sheet

Make up the overnight spongeIdeally the night before, combine the 200g of starter with 100g of flour and 200ml of water, add the spoonful of instant yeast, and combine to create a thin batter. A whisk can be helpful. Cover with cling-film and set aside overnight, or, if you’re not that organised, for at least an hour and more if possible.

The overnight sponge after mixingThe loaves will work fine with the shorter resting period but you’re inevitably sacrificing some flavour from the longer, slower fermentation. After resting, there should be some bubbles rising to the surface of your batter (more if you’ve left it overnight).

Roughly mix the dough and allow to restNow add the remaining 300g of flour, the salt and the softened (melted is fine) butter, and combine to make what will be a very soft, wet dough. Before kneading, just let it sit in the bowl for about half an hour to allow the flour grains to absorb as much as possible of the moisture and help the gluten start to set up.

Dough during kneadingTip the dough onto a well oiled worktop, scraping out any that sticks to the bowl, and knead it for at least 10 minutes. It will be very sticky to start with, but this will improve to some extent with working. Try to resist adding extra flour unless absolutely essential, and if you do, add a very little at a time. This is never going to be an easy dough to work, you’re aiming to get it just on the right side of ‘impossible’. Working it with plenty of oil will reduce its tendency to stick to things other than itself, and avoids changing the hydration with flour from surfaces being incorporated into the dough.

Form a ball and allow to riseOnce the dough is well kneaded, form a ball and set aside in a well oiled bowl, loosely covered with plastic or a tea towel to retain moisture, until it has at least doubled in size.

Divide risen dough into threeNow, turn the dough out onto a well-oiled worktop and divide it into three as evenly as you can, but without faffing about (no grabbing a bit from here and sticking it onto there). You’ll see recipes instructing you to ‘roll the dough out into a baguette shape’, but don’t, ok? What you’ll get it you do that is a stodgy, even-textured dough shaped like a baguette (much as you get from most UK supermarkets, sadly). If you want the stretched curst and almost concentric-structured crumb of a genuine baguette, you need to form the shape properly. I got the clue I needed, oddly, from a TV travel show about Paris, where they popped into a boulangerie, and there in the background, when I paused and re-wound the programme, was a guy making baguettes. This way is rather fiddly, but it works!

First, find your widest, shallowest-sided baking sheet, and dust it generously with semolina. This will stop the dough sticking, and provides the characteristic ‘crunch’ to the base.

Shaped loaves on baking sheetTake each piece of dough, and fold two edges towards the centre. Without turning the dough, do this again and again in the same direction until you have quite a tight ‘cylinder’ with a centre seam on top, which will be about a third or half the length it needs to be. Now stretch out the cylinder lengthwise, gently, trying to keep the diameter even all the way along. Turn the baguette over so that it’s seam-side down, and tidy in the ends by tucking under into the traditional point if you can, though don’t worry if the ends are a bit dumpy. Tuck the sides under along the length of the loaf using a dough scraper, if you have one, and then, quickly so that it doesn’t sag, transfer the loaf to the baking sheet.

This takes some practice and your first baguettes will probably be rather funny shapes. But don’t worry – it’s not at all important! The process is a bit tricky to describe (I wonder if I should try and get a video of me shaping a loaf?) but hopefully should make sense once you’re doing it.

You could just as easily quarter your dough and make four shorter baguettes; arrange them across the baking sheet rather than along, if you prefer littler loaves. The smaller loaves are obviously easier to handle, so it may make sense to start that way.

Cook-shops will sell you shaped baking sheets with rounded bottoms for baking baguettes on, and that will give you the characteristic rounded base – baking on a flat sheet will obviously give you a flat bottom, though as the dough springs up in the oven it’s often less obvious than you might expect. I’ve tried quite hard to avoid acquiring clutter and kitchen gadgets during my home baking experiments, and actually I find most of the time you can do perfectly well without them!

Cover and allow to riseCover your shaped loaves (I have a large sheet of polythene that I use to form a tent over them) and leave to rise for at least an hour or until at least doubled in size. Now set your oven to pre-heat at its highest temperature.

Slash the risen loaves along their lengthOnce the oven is up to temperature, uncover your loaves, and very quickly using your sharpest knife, slash diagonally along the length. I find two slashes per loaf works best, overlapping over the centre third to half of the loaf. If you hesitate at this stage, your loaves will deflate a lot, so be quick and decisive, and get the loaves straight into the oven.

Turn the baking sheet at least once to help the loaves bake evenly. You may find they need as little as 20 minutes in all – they’re done once the crust is a lovely deep golden to mid brown colour and the loaves feel crispy and sound hollow underneath. Remove them from the oven then and set to cool on a wire rack.

Tear & enjoy

Once they’re (almost!) cool, rip into one. I love to tear rather than slicing my baguette, it makes the most of the wonderful texture of the crust and crumb. Enjoy as the Parisiens do, with unsalted butter and jam for breakfast, or as the ultimate versatile sandwich loaf. Who wants one of those nasty stodgy ‘subs’?

Enjoy with unsalted butter

I would really love to know how you get on with this recipe, so please please come and tell me how it works out for you, by leaving a comment here or tweeting me @CountrySkills!

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