Like a Rocket – summer glut-busting: wild rocket pesto

Summer days are here at last, and for those of us who grow our own fruit and vegetables, that means the summer gluts are starting, too. Wild rocket is really very easy to grow, which is great, as the sad little plastic salad bags at the supermarket cost a small fortune! Even if you only have space for a window box or a pot on a sunny doorstep, you’re quite likely to be able to grow more of this really punchy, peppery salad leaf than you can bear to eat in salad. Even better, wild rocket is perennial, which means that you only have to plant it once and it will come back, year after year. In the garden of our last house, we ended up with a big clump of wild rocket growing at the edge of the lawn which served us for many years.

A few weeks ago, I transplanted three rather sad looking overwintered plants from an exhausted grow-bag into one of the raised beds in my poly-tunnel. And look what happened!

Wild rocket

There you go, straight away – more rocket than I can possibly eat! And then, I thought – I wonder if I can make pesto with this stuff? It’s punchy, peppery, and in many respects quite like basil, so I was hopeful. A quick search around the internet confirmed my suspicions that it should be possible, so I got picking.

For my batch of pesto, which filled an average-sized jam jar with a little to spare, I used –

  • 120g of freshly picked wild rocket leaves. To give you a rough idea of how much rocket that is, the supermarket packs of rocket leaves are usually between 50g and 70g.
  • Washed & dried rocket3 large cloves of garlic
  • 50g pine kernels, lightly toasted in a dry frying pan
  • 50g good quality parmesan cheese
  • Plenty of good extra virgin olive oil
  • One lemon
  • A pinch of salt

Wash your rocket, removing tougher stems and any flower stalks, and dry it in a salad spinner (or give it a really good shake in a colander with a plate over the top).

You can make this pesto in a pestle and mortar (in fact, it’s my favourite way of making small batches of basil pesto, as you keep closer control over the texture and you’re much less likely to over process) but given the quantities I used my food processor for this batch. First, blitz the garlic cloves with a pinch of salt until they’re finely chopped down. Then add the parmesan, and reduce to crumbs, before adding the pine kernels. Aim to retain some texture in the pine kernels, you’re not trying to purée them!

Once that’s done, add the rocket, a handful at a time, adding some olive oil as you go if the mix gets a bit dry. Aim to retain a little texture in the mix.

Rocket pesto after processing

Once it looks like this, squeeze in the juice of half a lemon, mix well, and add oil until it reaches the texture you prefer. Taste – you’ll find it punchy, peppery, and pungent – and add more lemon juice if you feel it’s needed. You won’t need to add pepper – trust me on this! – but you may want to add a little more salt at this stage, too.

The pesto will store for a few days in a screw-top jar in the refrigerator. Keep the surface covered with a layer of olive oil to prevent oxidation. If you want to store your pesto for longer, you can freeze it in an ice cube tray, and take it out in single-serve portions. How clever is that?

Pesto in jar

Use your rocket pesto any way you would use the basil kind. It’s wonderful stirred through pasta or, particularly, gnocchi. Add a few little dabs to the top of your pizza before baking. Or spread it on burger buns as a punchy, peppery relish.

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Reviewed – “Back to Basics – Your Essential Guide to Make Do and Mend”

I was really excited to be asked to review this brand new ebook, ‘Back to Basics – Your Essential Guide to Make Do and Mend’ edited by the lovely Jen Gale. Jen has been somewhat in the forefront of the eco, thrifty, make-do-and-mend trend in the blogosphere and social media over the last few years. During that time, she has accumulated a mountain of practical experience (do take a look at her website, http://www.makedoandmend-able.co.uk, if you haven’t already) and connected with individuals with a wide variety of practical skills, many of whom contribute chapters to this ebook.

[Full disclosure: ‘Back to Basics – your essential guide to Make Do and Mend’ came to me free of charge as a review copy. Screenshots are used with permission. Any links provided are for interest and convenience, I don’t profit from them in any way. Jen is a twitter friend, and while I obviously wish her well with her project I have tried very hard to be fair and impartial in giving my opinions here.]

What’s in this book? Well, all kinds of things. Don’t know how to fix a puncture on your bike, or wire a plug? The instructions are here for you, alongside more ‘crafty’ tutorials on sewing skills – biased towards mending and altering – basic introductions for knitting and crochet, helpful hints on caring for your clothes and fabrics so they last you longer, tips on painting and re-upholstering furniture to refresh tired pieces without needing to buy new, and lots of other things besides.

Contents Page

Darning SkillsThis is intended to be an entry-level guide, and because it covers such a broad range of topics, some of the chapters will already be familiar territory to practical minded readers – that said, I did pick up a few extra little tips even in areas where I consider myself to be reasonably proficient (Tom Van Deijnen’s tutorial on darning knitwear is particularly good, as is Lauren Guthrie’s really comprehensive general overview and introduction to using and caring for your sewing machine).

Re-making GarmentsAlongside these, there are a few chapters that cover what I would regard as more advanced-skill level making do and mending – Franki Campbell explains how to break down a garment and make a new sewing pattern from it so that it can be recreated (and possibly modified in the process), something which scares me enough – I’m a muddling-along standard home sewer who can make curtains, blinds, and the odd garment for myself; I can imagine it being rather baffling to the novice sewer.

Crochet flowersThere are little projects included with some of the chapters, too, and these can be a weakness of the book. Some are excellent, like this little crochet flower broach. On the other hand, the knitted dish cloth ‘project’ (no more than a sample square of garter stitch, which you are expected to source brand new cotton yarn for) was a bit less inspiring.

I think this is probably an inevitable consequence of a book put together in this way, from a variety of contributors. The focus, skill level, and quality of these chapters does vary, and on occasion it can make the whole feel a bit ‘bitty’ and unfocused. But that said there is some really excellent material here, and if you find even a handful of the chapters useful it may well turn out to be a good purchase for you.

Cover ShotWho is the ideal reader for this book? It might make an good gift for a teenager heading off to university or to their own home for the first time – a really modern housekeeping guide for the 21st Century young adult. Older readers, looking to (re)discover crafty, thrifty DIY skills may also find a lot to like here. It’s a very beautifully put-together ebook, and a lot of hard work has obviously gone into the design and photography.

“Back to Basics” is available in ebook (PDF) format only, priced at £8. You can find out more, and download it here.

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Blocking Up – experimenting with peat-free soil blocks

I can’t quite remember where I first came across the idea of soil blocks for seed sowing, but they’re a rather neat idea. Compacted cubes of growing medium are used instead of pots or modules, freestanding seed trays with narrow air gaps between the blocks.

Big claims are made about the benefits of soil blocks for raising young plants in terms of reduced root disturbance and how ‘air-pruning’ of the roots prevents root binding of seedlings, all of which may well be true – I haven’t really got the horticultural background to say! But actually the thing that really attracted me to soil blocks was practicality.

Sowing seeds into soil blocks

I really don’t like module trays – they’re a pain to wash and re-use, if nothing else, they tend to degrade badly and crack up so that they only last two or three seasons, and are expensive and enormously wasteful if you’re using them only once. While it makes sense  to start certain seeds directly into 3″ pots, that takes up an awful lot of window sill space – something that’s definitely at a premium in my house at this time of year. And as we’re aiming to be completely peat free in the new garden, those little peat jiffy pots are right out (and the cost adds up quickly). A useful compromise has been home-made newspaper pots, but there’s quite a lot of effort involved in making these and I don’t always have time (also, my paper potter tool seems to have gone astray in the house move)! I’d more or less settled to using plain seed trays and pricking out seedlings at a small size, but that’s quite a lot of work and it can be rather traumatising for the seedlings, and has to be done at just the right time when inevitably I have too much else to do. So, no perfect solution.

Half trays of soil blocks in heated propagatorSoil blocks combine the convenience of the plain seed tray with the ‘modularisation’ provided by plastic module trays or individual paper pots – so could they be the best of both worlds?

Despite a real lack of cash just now, I decided to dig deep and find the twenty pounds for a four-block two inch cube soil block maker, which I bought from GreenGardener.co.uk. Only after diving in feet first with the purchase did I stop to consider the peat free problem; almost everything I read suggested that a peat-based seed compost was essential for making functional soil blocks. So had I just wasted my money?

Unwilling to compromise on our principles, I set about mining websites and gardening forums in search of a peat free recipe for soil blocks. None was quite right but some themes kept recurring. A base of peat free compost (fine textured seed compost ideally), something to help drainage (sand, perlite and vermiculite were variously mentioned) and loam or topsoil to help bind the mixture.

I’ve mentioned that money is a bit tight; going shopping for extra growing media is not on the cards, but I have a reasonable supply of New Horizon peat free organic multi-purpose compost and a rather soggy old bag of vermiculite (I generally use the New Horizon compost mixed 3:1 with vermiculite as my seed mix). We also have an almost inexhaustible supply of molehills, as the efforts of Mr Mole to create a ‘des-res’ for Mrs Mole are in full swing on our paddock!

So with a ‘make-do and mend’ attitude I did a few experiments and have come up with the following mix that seems, so far, to be working well for me. It will be the basis of my soil blocks for this season, while I get a handle on how things go germination-wise, and consists of –

  • Dry soil block mixture4 parts peat free multipurpose compost (you could sieve this to take out the biggest bits – but I’m fundamentally lazy and don’t own a garden sieve)
  • 1 part vermiculite, and
  • 1 part molehill (you should ideally sterilise this to get rid of weed seeds, I suppose, though it seems like faff) or substitute with bought topsoil (being careful it’s not been mixed with peat compost, as it often is!)

Wetted soil block mixMix the components thoroughly and then add water, a little at a time, until you reach a consistency that holds well together when you take a handful and give it a good squeeze. I find this is at the stage that you can just squeeze a tiny bit of water back out of the mix. Any wetter and the blocks slide straight out of the block maker – drier and the blocks tend to crumble. If you find you’ve over-wet the mix just add a bit more compost to dry it out again. A little trial and experimentation and you should get a good idea what you’re aiming for.

Filling the soil block makerTo make the blocks, level the wet compost mix about two and a half inches deep and as even as possible. Push the block maker down firmly into the compost until it hits the bottom, then push down on the handle without moving the press, to squeeze down on the blocks. You may squeeze a out a little water (if you’re seeing a lot, your mix is too wet). Then, release the handle and carefully pick up the block maker, tilting it on it’s side to reduce the risk of blocks falling out.

Making up soil blocks in seed trayPosition it where you want your blocks to go, and then press down on the handle again pulling the block maker up at the same time. If it’s all worked perfectly, you will have four even, neat little cubes each with a dimple in the middle. I find I can fit three rows of four blocks (12 blocks in total) into a half sized seed tray or seven rows of blocks (28 in all) in a full sized tray.

Half seed trays of soil blocksNow you’re ready to sow your seeds. Pop one seed into each dimple (or more than one if they’re small seeds and you plan to thin any extra seedlings) and cover loosely with a pinch of dry compost or vermiculite – or leave the seed uncovered if light is required for good germination. Then place the seed tray in your desired spot. I currently have two half trays of soil blocks in my heated propagator with tomato seeds in, and two full trays of salad leaves and brassicas in the unheated greenhouse.

Completed tray of soil blocksThe soil blocks are supposed to contain enough water to allow the seeds to germinate without further watering being required, but this depends on preventing excessive evaporation.

Covered seed trays in greenhouseI wrap the seed trays in the greenhouse with cling film (wetting the edge of the seed tray like a pie dish gives a good seal) and those in the heated propagator are under a closed lid. But if they do get a bit dry, don’t panic – mine held together fine when I watered them with a normal watering can and medium rose, just be gentle! Obviously you can’t use normal plant markers easily if you’re using cling film, so I label my trays using masking tape stuck to the seed tray. Keep your eyes open for signs of germination and remove the cling film before the seedlings reach it.

I’m waiting to see how things germinate in them now, and how they grow on, with no small degree of excitement!

Are you experimenting with soil blocks this year? How are you getting along?

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New Year, New Home – our plans for the garden

Crikey, we’re half way through January 2015 already – how did that happen?? It seems like only last week we arrived here, but it’s been over six months now since we moved, in the height of summer.

The house

It’s going to be an exciting year for us, and hopefully plenty of opportunities to showcase new skills and techniques here on the blog, too! Those of you who read here regularly will know that we were forced by the HS2 rail project to move from our lovely little cottage near Banbury. We decided to bite the bullet and make a big move – the move to the South West that Hubby and I had always told ourselves we would make ‘one day’, when the right opportunity arose. I have to say I’d always suspected the ‘right time’ might well have ended up being be 20 or 30 years from now, when we were thinking about retirement, so while it was a scary move, and stretches us financially, I’m delighted that we find ourselves here in Cornwall now, while we’re still young (well, relatively, hah!) and fit and able to work and build a life here and contribute to our local community. Even if it means we’re skint working-age folk rather than comparatively well-off retirees!

After an initial 6 months doing temporary contract work to keep our heads above water, I’ve started a new, permanent job for the new year, closer to home and with saner hours (occasional days off!) which will hopefully allow me to draw breath from time to time and spend a little more time making, doing and writing too!

So, as today is one such day, I thought I’d share a little about the projects we have coming up here at our beautiful new home in the course of the next year.

In the garden –

We’re amazingly lucky to have five acres of land with our new home, and in due course we hope to slowly build it up into a productive smallholding. For the time being we’re renting the pasture land to our neighbours for their sheep to graze, while we concentrate our time, effort, and resources around the house and gardens.

Dave dog on the paddock

Yes – gardens. I never thought I’d have gardens in the plural (well, if you ignore a scrap of front driveway!) but we have two, three if you count the old sheep fold where we’ve planted the orchard trees that we dug up and brought with us from our last home.

South gardenTo the south of the house, sloping away gently, we have a triangular garden with Cornish hedges on both sides which is going to be our ‘pretty’ garden. It has gorgeous views over Bodmin Moor and will be perfect for relaxing in on summer evenings if we ever get any time to rest!

The fish pondHubby has dug a pond here for our fish, who are settling in nicely, but otherwise this patch of land is likely to have to take a back seat for a while while we concentrate on more productive projects! With a bit of time and attention (ten years or so should do it!) I have high hopes for it being an even more beautiful place to be.

To the west side, we have an almost square, level garden with the house to one side and Cornish hedges to the other three sides, which essentially makes it a walled garden and the most protected growing space we have. This is an important factor as we’re nearly 900ft up on the edge of Bodmin Moor, and the winter weather and winds here can be a bit ferocious!

First raised bedsThis is going to be our kitchen garden, and as you can see the work has already started, the hens are settling in nicely, and the first three raised beds are planted with winter veggies.

We’re going to build a shed and a small seedling greenhouse here and add some more growing space as we go along. The soil is quite stony as we’re on granite and slate bedrock, but seems good and fertile so with a bit of luck and lots of patience and stone picking this should make for a lovely productive working garden. As long as we can keep the rabbits & mice at bay…

We plan to build a polytunnel outside the gardens to the side of the pasture paddock, to allow us to grow more tender plants like chillies, tomatoes, peppers and maybe even melons, and take even greater advantage of Cornwall’s lovely mild climate (well, by and large – it’s blummin’ chilly today!) and long growing season. The hens might even enjoy hanging out there in future winters, in the dry and out of the wind.

The hens nicely settledThe hens are doing OK now, after a disaster back in November when a stoat broke into the run and slaughtered three of the five girls we’d brought with us from Banbury. Of course, it killed my favourite, Midge, and I was completely heartbroken over the whole thing. We managed to find four new pullets to make up the numbers and all of them seem to be getting on really well now.

We’ve had far less trouble than on any previous hen introductions so we’re obviously getting the hang of this process. The new girls all have their own characters and temperaments and seem very chilled out around Dave dog, which is lovely.

There’s so much to do, but it’s so exciting! I’ve got some chillies in the heated window sill propagator (and rapidly realising I need a much bigger one!) and the first have germinated during the past few days. It won’t be long before every window sill in the house is full to bursting with seedlings – at least they’re nice thick walls, over two feet of solid granite for the most part, so I have plenty of ledge space.

Green shoots!

We missed out completely on last year’s growing season, which was torture. So even though we really should probably be focusing our time and efforts in other places, I refuse to let another whole growing year go by the wayside – it’s so very exciting to have seeds in compost again and to be seeing the very first green shoots of what should hopefully be our first great productive Cornish growing season!

Recycled cold frameIt’s a very conscious decision to concentrate our time and expenditure on the productive aspects of the gardens first – after all, the kitchen garden will go some way to feeding us. Landscaping and decorative planting, no matter how attractive, doesn’t help keep the larder stocked or reduce our food bills. We’re very much doing this on a budget, too – our rather lovely pair of cold frames are made from the glass out of the shower cubicle we had to replace when we got here.

Over the next few blog posts I’ll share with you some of our plans for the house – especially the kitchen – and for our outbuildings. Buckle up – it’s going to be a busy year!

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Take A Seat – how to re-upholster a dining chair, for complete beginners

So your dining chairs are looking a little tatty. Perhaps the seat fabrics are stained, marked, torn, threadbare, or just looking rather dated and no longer suit your decor. Time to throw them out and start saving up for some new ones, perhaps? Don’t be silly! For a start, chairs are really expensive (I mean, easily £100 each for nice ones!). If the chair frame is still sound, then DIY re-upholstery or re-covering of the chair pads is a job which should be within the grasp of anyone with a few basic craft and DIY skills.

Before and after

In order to do this job properly, you will require –

  • A chair or chairs in need of restoration
  • Staple-removing tool or tools
  • Heavy-duty staple gun suitable for upholstery tasks, and staples
  • Replacement covering fabric, of the mid to heavyweight upholstery type
  • New bottoming fabric (non-woven synthetic material)
  • Replacement seat foam (optional, see later)
  • Basic everyday tools such as scissors, screwdrivers, iron and ironing board
  • Adhesive spray and stain-repellant spray may also be useful

The right tools for staple-removingIt is possible to cut corners on the equipment list, of course – you can remove staples using a flat-headed screw driver (not one you’re particularly fond of, as it will never be the same again!) and a reasonably heavy-duty desk stapler could be pressed into service instead of a staple gun, but having the right tools will make the job an awful lot easier and quicker, not to mention safer for you! A staple gun and hinged-type staple remover should set you back about £10 between them, so won’t break the bank.

I would definitely replace the seat foam if the chair is imported, or is older than the 1988 UK fire safety regulations, as upholstery foams before this date (and some of those still in use overseas) can be incredibly flammable. If you know your chairs are more recent than this, and the seat foam is in good condition, not stained or breaking down, then it’s reasonable to re-use what you have. This is what I’ve done in this tutorial, as I know the chairs are at most six or seven years old and were originally manufactured here in the UK. Obviously this is a DIY job for my own use, the chairs won’t be labelled as complying with the regulations after re-covering, and consequently will not be suitable for sale or for use in a furnished rented property.

I want these chairs to last me many more years, so I’m doing this properly – yes, you could just wrap an extra layer of fabric over what’s there already and staple it down, it’s a quick-and-dirty approach which will save you a lot of time and effort, but you will inevitably add bulk, particularly at the corners and underneath, and the seat pads may very well not sit properly afterwards. Stripping the seat pads down is pretty hard work and takes time, but for me it’s worth it in terms of the quality of the eventual finish.

Right, to work!

Chair in need of re-upholsteryThese are the chairs I’m re-upholstering. I bought them from eBay to match four I already have, but they are very stained and all my stain removal efforts have failed. If you turn your chair over, it’s very likely that you will find the seat pad held on by four screws through the base, one at each corner. Remove these and set the screws aside, you’ll need them again later.

Seat pad - bottomRemove the seat pad and turn it over. The view that greets you will probably be a bit like this one, a sheet of bottoming cloth held on with staples all the way around. This is light non-woven fabric, generally, and while it’s tempting just to rip it off, you’re going to want to remove all the staples anyway, so you might as well get started. Leaving staples in situ is a tempting effort-saving decision (trust me, it will once you’ve taken a few out!) but will interfere with neat tidy fitting of the new fabrics later on, and may affect the way the seat pad fits back into the chair.

Personally I find having one of the wooden-handled, curved, pointy staple removing tools a real benefit, even though they’re quite expensive (expect to pay about £15 for a new one – but it will last you a lifetime) – I use it on the staples first, just to ‘break’ the back of them and make a little space in the centre. Then I use the jointed plastic handled tool, which grips the staples to pull them out evenly. You could save a little money and buy just one or the other – they will do the job on their own but the curved tool struggles sometimes when one side of the staple comes free first, and you’ll need pliers to pull out the other end. The plastic tool has a chunkier tip and is much less easy to squeeze under the tight staple to start with.

The wrong tools for removing staplesI mentioned you could use a screwdriver – well, you can, but it’s not the right tool for the job, you’ll damage the corners using it for leverage, and will require a lot more force to use, too. All of which means it’s a lot more likely to slip, and damage parts of the chair you want to keep. Or, you know, your fingers. Obviously you should keep all your fingers *behind* any tool you’re using like this (be it a screwdriver or a proper staple removing tool). Don’t say you haven’t been warned!

Once the bottoming fabric has been removed, you’ll find even more staples holding on the top fabric. You’ve guessed it, these all need to go too. In all, it’s quite likely there will be well over 100 staples in each seat. It’s a long old job and until you get the knack of it can easily take over an hour for each chair. But it’s worth it for the quality of the eventual result.

Finally, you’ll have all the fabric off the seats. Probably, what you’re left with will be a wooden (plywood or chipboard usually) board and a foam pad, which may or may not be glued together. If they’re not glued down, or you’re replacing the foam pad, then it may be worth turning the board the other way up before re-fitting, particularly if it’s chipboard and crumbling a little where the old staples have been. If you’re replacing the foam, it’s easiest to take one of the existing pads to a foam supplier and ask them to cut replacements the same size and shape for you – most will be happy to do this though they may charge you something to do it. I’m keeping the foam pads, because they’re relatively new and in good condition still.

Cut out fabric and mark wrong sideYou’ve probably chosen your replacement fabric already, and really anything could work, so let your imagination run wild! The fabric I have used is actually salvaged from a pair of heavy cotton curtains we found in the house when we got here. I’d taken them down and washed them as I didn’t like them where they were, but the subtle neutral check pattern makes a great seat and goes really well with the natural oak of the chair frames. And also, you know, it’s free, which is awesome!

If you’re buying fabrics to use, a thrifty option could be to have a look at the second hand curtains for sale in local charity shops, where you may find a real vintage bargain! Try to choose a fabric of a similar weight to the one that you’ve removed, as this should make the seat pad fit back into position best, without unexpected gaps or excessive thickness. If you’re buying new, don’t feel you need to restrict yourself to upholstery fabrics – for a little job like this, clothing fabrics like denim or a heavyweight woollen cloth could make great alternatives. Do bear in mind that a fabric with an obvious check or stripe, like mine, will show up any wonkiness and uneven tension in the fabric re-fitting much more than a fabric without!

Pre-wash, dry, and then carefully iron your fabric before cutting out. I hate ironing as much as the next person (in fact, I pretty much only ever iron at all if I’m doing a sewing or textiles project!) but do go to the trouble of doing this, it’s important I promise! Washing your fabric first should both shrink it, if necessary, and improve your chances of removing stains from it in the future, should you need to, without causing colour run.

Using the old seat fabric as a template, cut out your new seat covers. I prefer to cut a little larger, and to cut to square corners, without ‘scalloping’ them out. This just provides more of a margin of error for the fitting process! If there’s any risk of confusion, mark the ‘wrong’ side of your fabric clearly when you cut it out, to ensure it goes on the chair right-side-out! If your seat foam isn’t already glued down to the wood, consider using some spray adhesive to do this, as if the two are fixed in position already, it will make stretching the fabric over them much more straightforward.

Fix straightest edge with staple gunThen, starting along the straightest edge of your seat pad, secure the fabric with your staple gun. The first side is simple, but of course it gets a bit trickier after that. Do the opposite side next, so that your fabric is nice and straight. While it *is* possible to stretch, hold, and staple the fabric on your own, this task is a lot easier if you can recruit a glamorous assistant to help you (hello, Hubby!).

Wrap over fabric snugly and fix opposite edgeYou will want to pull the fabric as tight as you can, and this will curve and round-off the cut edges of the foam in the process. Work slowly and keep the tension even. I tend to work in a divide-the-difference pattern, placing each new staple in the centre of a gap, rather than trying to work along a line from one end to the other.

Then fix sides, maintaining desired tensionThen do the same with the two other sides, though you might find it easier to work on both sides alternately, rather than securing one side and then the other. Just keep checking your tension is even and appropriate as you go along, and don’t be nervous of taking staples out and trying again if you’re not happy with the result!

Once you’ve finished the sides, fold the corners over neatly and secure these too.

Finally staple down corners

With a bit of luck, you’ll end up with seat pads that look a bit like this.  Now just to finish the bottoms. You could re-use the bottoming cloths that you took off in the first place – if you managed to get them off without tearing – but they’ll look tatty and new non-woven fabric to replace them is very cheap (it’s usually available in black, grey, white, or beige and costs a couple of pounds a metre, so choose the one that will blend in best). You could even forget about it and just re-fit the seats as they are, but that will leave the raw edges of your covering fabric exposed and these will eventually fray.

Cut out replacement bottoming cloth using old fabric as templateA word to the wise – take it from me, and do not attempt to iron your bottoming fabric. Doing so (even on your iron’s lowest setting) will result in ruined fabric and a nasty sticky mess on the bottom of your iron. Do you really need to ask how I know this..?

Attach new bottoming cloth with staplesCut out the bottoming cloth using the old one as a template, and then staple this in place over the seat bottom, concealing all the rough edges and staples securing your top fabric as you do.

Treat seat pads with stain-repellant sprayMindful of why I had this job to do in the first place, I got out my trusty can of Scotchgard spray (other stain repellant products are available) and treated the re-upholstered seat pads before re-fitting them. This would also be a good time to make any repairs to the wooden chair frames, and oil, varnish, or even paint these if necessary.

Finally, fix seat pads back in position with screwsOnce everything is done, re-fit the seat pads using the screws you set aside at the beginning, and stand back and admire your handiwork! Aren’t they fine? I’ve only got another four to do, now!

Just consider the possibilities – old dining chairs in need of re-upholstery sell online and in general auctions for pennies on the pound compared to new ones. Doing the job yourself takes a little time and effort, but you can produce a really professional looking result, save a heap of money, and bring a great vintage feature into your home, too!

Admire your finished chairs!

 

Still doubt that this is a beginner’s project? Well, these chairs are the first things I’ve ever upholstered. If I can do it, I have no doubt that you can, too!

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We’re here! Just starting to get settled into our new life in Cornwall.

Thank you all for your patience in the recent blogging hiatus! We’ve moved (actually, we’ve been here four weeks now, I just feel I’ve barely had a chance to pause to draw breath since then!) and are starting to settle into this beautiful spot – and really start to realise all the work that is to come…

From the garden

This really does feel like a special little part of the world. We’re well off the beaten track, without mains water or drainage (mains gas is a wild and distant fantasy!) but with the amazing quiet and stunning scenery that comes from being just that extra little bit out of the way. The broadband is serviceable – good by very rural standards, actually – but any need for a Netflix subscription is a long way off… We’re lucky to have found ourselves with lovely neighbours, who we hope will become very good friends in time, and have been made wonderfully welcome and introduced to everyone in our great local pub. So far, no one seems to mind that we’re incomers, but are pleased that we’ve come to make a life long-term in their community, which is heartwarming.

 Sunset  At dusk  Meadow sunshine

I’ve been taking a few photos from the garden (because it’s just so pretty I can’t stop looking at it!) – that’s Bodmin moor, in the background of those photos. Our nearest village, Altarnun, which is mostly famous for having been the parish of the dodgy vicar in Dapnhe Du Maurier’s ‘Jamaica Inn’, has a gorgeous church, a little river running under an ancient stone packhorse bridge, and is exactly as full of whitewashed slate and granite cottages with flowers out in front as you might imagine.

The move itself was more than a little more ‘interesting’ than it might have been – one of our lorries was involved in a road traffic accident en route, and was held up for nearly a week while a new lorry was found and the contents transferred – the driver was blessedly uninjured, thank goodness – unfortunately for us the lorry contained all our plants and trees, which got to spend a week locked in the back of a lorry in a freight yard in full sun. We asked for them to be watered and I think that must have happened as they turned up in far better shape than we had feared – a few broken branches but not dried up husks. Otherwise, we’ve suffered the usual small number of breakages – thankfully though, nothing irreplaceable.

All of that somehow pales into insignificance now that we’re here. The insect and bird-life that we’ve seen just in the last few weeks is amazing – we have house martins nesting in the barn, and flycatchers and bullfinches join the more common sparrows, dunnocks, wrens, robins, blackbirds, thrushes, a variety of tits and some pretty serious birds of prey – buzzards definitely, but quite possibly kites, too – that we see in the garden, on the bird feeder, and out and about. At night, the swifts and house martins give way to lots and lots of bats.

I’m completely in love with the Cornish hedges – which are no such thing, of course, they’re mounds of granite packed with soil, as many an unwary motorist has discovered to their cost over the years. These are to all intents and purposes vertical wildflower meadows stretching for mile after mile, full of clovers and vetches, foxgloves, meadowsweet, cranesbills, honeysuckle, ferns of all shapes and sizes, and wild strawberries, so very lovely and unusual to see up at head height or above, walking between cornish hedges is a bit like lying face-down in a meadow, without the inconvenience and grass stains! I’m sure the hedges – and the grazing that they surround – are the reason we have so many wonderful butterflies, bees and other insects, and the amazing bird life in turn.

The houseThe house itself is beautiful, with bags of character, thick granite walls, slate floors and open fires, but it’s over 200 years old and was always likely to be troublesome – its first ‘surprise’ for us came in the form of a curtain of water running down the dining room wall when Hubby was having a shower a couple of weeks ago. The long and the short of it is we need to completely re-fit the shower and the bathroom tiles, something that we were planning to do in due course but wasn’t a priority for our currently rather strained finances. Ah well…

Apart from taming the overgrown grass, we haven’t even started on the garden yet… but the ideas, at least, are starting to come together.

Last weekend I started making the curtains and blinds for the living room from the gorgeous floral tapestry-like fabric we found for a bargain price on the Goldhawk Road market last time we were down in London. It’s not the easiest fabric to work with, but I think you’ll agree the results are quite rewarding? (There will be a blog post on how to make roman blinds coming up – the executive summary though? Very efficient on fabric yardage, but a lot more trouble than curtains in terms of time, effort, and required accuracy!)

Working on the blinds  Finished blind

I’ve discovered, meanwhile, that some beautiful fabric I had bought to make bedroom curtains for our old cottage – and never got around to because it soon became clear we would be moving before long – is *just* long enough to make two pairs of curtains for the new bedroom, even accounting for the inconveniently long 62cm pattern repeat. This discovery has made me implausibly happy.

Bookshelves!Just today we’ve managed to empty a load of book boxes onto the shelves. It’s amazing how much more lived-in – and less echoey – full bookshelves make a room seem! The cookbook collection finally has some space to spread out, a whole bookcase to itself! Of course I’m weeks behind with Cooking the Books now – who knows if I’ll ever manage to get caught up??

And of course, when we’re not trying to sort out the house, and I’m not at work (which feels like all the time at the moment!) there’s the wonderful Cornish coast and countryside to enjoy. Dave dog is absolutely delighted with his at-least-weekly visits to the seaside, something that could only be a very occasional treat when we were in the Midlands. We were even greeted by a swim-by of a pod of dolphins at Trebarwith Strand, Dave dog’s favourite beach.

What it's all about!

The weather has been absolutely gorgeous since we got here, which is both a joy and a torment, when I’m stuck at work sweltering staring at a beautiful sunny Westcountry summer’s day out of the window. Too warm, sometimes, for doing the things that we need to do around the house and garden – the pond remains un-dug and the trees are not yet planted – but at least the paint dries quickly!

I’ll stop rambling now as it’s a gorgeous sunny evening and while I’m sat in here typing, I’m not out there enjoying it! Hopefully the blog will feel a little less neglected over the next few weeks, though as I seem to be working all the hours, I’m not making any promises… All the stress and upset of the compulsory purchase of our lovely old cottage does seem to be fading into memory, and though I’m not a fatalist, something about how I feel about this place makes me wonder if we were meant to end up here all along..?

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There’s A Hole In My Kettle, Dear Liza… Well, fix it with Sugru!

The blog seems to have been very heavy on recipes since the new year – mostly because all I’ve managed to write most weeks is the Cooking the Books post (and, you know, not always that!). There’s a lot going on in our lives at the moment that I’m not really free to talk about just yet, but which has completely put a stop to the gardening I would normally be stuck into by this time of year (my window ledges are entirely bereft of their usual forest of seedlings, and sitting on my green fingers is such torture!). But this was never intended to be just a food blog, and, of course, life goes on.

Now, I’m sure you all know about Sugru by now – I waxed enthusiastic about it to my little sister last summer, only to discover she’d been an early convert (but had somehow neglected to mention the wonderful stuff to me?!), so I know I’m late to the party. But just in case you haven’t come across it, let me tell you a little bit about this wonderful stuff. Sugru is a mouldable putty, rather like play dough or blue tack. It comes out of a little sealed packet, and then you have 30 minutes to play with it before it starts to set. The Sugru then cures, in the air, at room temperature, in the next 24 hours (longer if it’s a particularly big piece), after which it is set permanently, with a silicone-rubber character.

Sugru pack

So, what? Relatively slowly setting modeling clay doesn’t seem so exciting perhaps… Well, it bonds permanently to a very wide range of underlying materials (plastics, glass, metals, ceramics, fabrics, wood and so on), and will tolerate a wide range of temperatures from -50C to +180C, as well as being flexible, waterproof, electrically insulating… You get the idea, it’s clever stuff! [Full details on the Sugru website, here.]

Back in the summer, I used my first pack to finish my denim strap replacement up-cycle on a pair of flip flops. They held up extremely well to the wear and tear they were put through in the course of what was an unusually hot summer. I’m looking forward to wearing them again this year.

Sandal soles sealed with sugru   Denim strap upcycle - complete

Some of the leftover from the pack, I used to mend and re-attach a cracked knob on our cooker. That repair has held up so well – and is so ‘seamless’ – that until I started writing this little post, I’d almost forgotten I’d ever mended it in the first place!

Broken knob   Blob of Sugru inside knob   Hold knob tight and wait to cure

A few months ago, now, I noticed that our kettle had started leaking, apparently from the join between the metal body and a plastic viewing window set into it. We have very hard water here, so I suspect limescale got established in a little gap and slowly pushed it apart. For a while, it was just the odd drop or two when I boiled a big kettle of water, but then one day, at the end of January, there was rather a big puddle of rather hot water on the kitchen counter after I’d boiled the kettle. Obviously water and electrics are a great mix! I nearly chucked the kettle in the bin and went to buy a new one, but I do hate to throw things away that might still have some life in them – and after all, the kettle still ‘worked’… Then I remembered the Sugru, hiding in the fridge (refrigeration extends the shelf life of the product before use).

Leaky kettle

It seemed too good not to try – I mean, the worst that could happen was still the kettle ending up in the bin anyway. This is one of the reasons I love mending things so much – you can justify all manner of experimentation that you might hesitate to try on a working item for fear of breaking it. My plan was really quite simple – to make a Sugru gasket or seal for the plastic window, by pushing it into the gap all around the outside, and then the water wouldn’t be able to get out any more. So far, so obvious, right? I shared my plan with Hubby, who looked a little unconvinced and told me ‘not to make it look rubbish’ – well, there’s nothing like a vote of confidence from your nearest and dearest…

Now, the surface preparation instructions that come with the Sugru are very simple – they boil down to ‘make sure the surfaces you want the Sugru to bond to are clean and dry’. I admit, I didn’t do this carefully enough. I’d given the kettle a really good wash to remove any grease, and removed as much of the limescale as I could using vinegar. I gave it all a good dry with a tea towel but didn’t really think that there would probably be some residual water (and probably detergent) in the gap I was planning to seal. It turns out soapy water acts as a release agent for uncured Sugru. You have been warned!

Insert Sugru into gap   Trimmed away where adhesion failed

The process was simple enough – roll out little lengths of Sugru, and stuff them into the gap. Then smooth off the surface (to avoid it ‘looking rubbish’). Problem being that around the lower left part of the window, the Sugru refused to adhere and kept falling out again. This was particularly vexing as I’m pretty sure this is where the worst of the leak was coming from! Eventually I gave up and peeled the Sugru away everywhere it wasn’t sticking, tidying up the edges with a putty knife, and left the rest to cure for 24 hours.

Finished job!Fortunately, I had a second pack of red Sugru in my stash, or it would have been a funny multicoloured fix that might have upset Hubby’s ‘rubbishometer’!

On day two, with my second pack, I was able to complete the seal all the way around, without any obvious difficulty. I left it to cure for another 24 hours, and then couldn’t wait to test my repair.

Well, it works. You can see from the photo just below, taken a day or two ago – almost two months after the repair – there is a little bit of limescale visible in a couple of places around the repair. It does still leak *very* slightly – the odd drop of water manages to sneak through while the kettle is boiling energetically, and evaporates on the spot, so for my money, the repair is a success – no more water on the worktop! I’m pretty sure that if I’d waited for the kettle to be really dry (and, lesson learnt, I won’t make that mistake again!) then the repair would have been completely successful.

After two months, with some limescale showing

Will the leak get worse as time goes by? I don’t know yet – it may be that the limescale will continue to do its thing and will slowly push the gap wider. Then again, because the Sugru stays flexible after curing, it may be able to accomodate this without additional leakage. Anyway, in the meantime hopefully I will have worked out what replacement kettle might look best in my new kitchen…

And think, if only he had some Sugru, Henry could have fixed his bucket – mind you, I’ve never worked out how the straw was going to help – can any of you shed any light on the matter?

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In A Flap – flip-flop denim fabric strap upcycle

The flip-flops.Summer is here (or so they say!). And whether you call them thongs or flip-flops, the three-point strap sandal is a mainstay of hot weather footwear. While I was getting a few bits and bobs in town the other day, I saw these fun flip-flops on a sale rack. I really want to like flip-flops, but I’m afraid they don’t like me! I can’t walk 100 yards in flip-flops with rubber or plastic toe posts without getting the most awful blisters between my toes. Ouchie!

Chop off the strapsSo those straps were going to have to go. There’s always something faintly satisfying about a spot of wanton destruction, isn’t there? Push the straps through the sole and chop them off with a pair of stout scissors. Congratulations, you’ve taken a pair of perfectly good, new flip flops and rendered them completely useless. Time to get mending!

I was planning to make fabric straps for these flip-flops out of some recycled cotton jersey, but I couldn’t find anything in my old-clothes stash in an appropriate colour. What I did find was a pair of Hubby’s old jeans. On reflection, denim seemed like a rather great idea, and the colour was a good match for the psychedelic print on the soles, too.

Of course denim poses some problems that cotton jersey doesn’t, not least in it’s tendency to fray extensively.  It’s also not famous for its stretchy characteristics, which means sizing will need to be more accurate, but I was pretty sure these were things that could be overcome.

Rough cutFirst up, I rough cut a broad and a narrow strap for a ‘test fit’. The narrow strap is tied in a reef knot around the wide strap and acts as the toe post. Push the straps gently through the holes and support them temporarily with safety pins while you offer up the sizing.  I tried the sandal on at this stage and showed it to Hubby to see what he thought. His verdict, ‘they’re quite, erm, rustic…’ felt a little bit short of an unqualified recommendation!

The principle seemed sound, though this mock-up stage proved one thing, which was that the narrow toe straps were literally going to fray away to nothing, and really quite quickly, too. Some reinforcement was going to be needed to avoid the whole thing coming apart!

Now, my sewing machine is a really very basic beast, more or less does straight stitch, zig-zag, not much else. But it has a rather neglected set of ‘special stitches’, one of which I admit I’ve never used in anger before today – it’s a sort of faintly-decorative compound zig-zag, which looked like it might do dual purpose for fray control while not being entirely unattractive! Well, it was worth a shot. A trial run on a narrow strap confirmed that I could run a length of the stitching, and then pull away the stray threads before trimming quite tight to the stitch line. The result seemed quite stable and robust. Excellent!

Rectangle of denimI chopped a rough rectangle of denim out of the leg of hubby’s discarded jeans. They were very well worn by the time they reached the end of their working life, so the denim is gorgeous and soft.

Cut the wide strapsUsing a ruler and cutting wheel, I sliced two wide straps 3cm wide, and two narrow straps about 1cm in width. If you don’t have a cutting wheel, mark the back and cut carefully, especially for the narrow straps.

I decided to go with a contrasting colour for the stitching to make a decorative detail out of it, and loaded up the machine with some bright yellow cotton.

With stitching completeEach wide strap takes two rows of stitches, as close as possible to the edges. The narrow straps get one row of stitches straight up the middle. If your machine doesn’t do a stitch like this, then a sensible width zig-zag is probably a good compromise.

Pull away your the threadsOnce the stitching is done, tease away at the threads outside the sewing, and gently pull it away until it ‘sticks’ in the stitching. Then, using a really sharp pair of scissors, trim the loose threads to within about 1mm of the edge of the stitching. This is all a little bit time consuming, but worth it in the end!

Now, all your straps are made, and ready to be assembled.

Straps complete before assembly

Fit the straps to the sandalTie the narrow straps in a reef knot around the approximate mid-point of the wide strap, and then feed all the ends through the appropriate holes. My denim isn’t an even colour because of the wear on it, so I used the darker end for the outside hole on both sandals, and the lighter end on the inside.

Straps on sole-sideThis is the experimental trying-on bit of the process. Adjust the straps until they’re all the right length and the fit is comfortable, using safety pins on the underside if necessary. Once you’ve know how long your straps need to be, it’s time to work out how to retain them. I’d considered the ‘tie a knot in it’ approach, and that seemed likely to work ok with the narrow toe strap, but didn’t seem as plausible for the thick straps.

Instead, I had a dig about in my button box and found six small stout little white buttons, just the right size for the recessed gaps in the bottom of the sandals.

For the toe strap, join both halves together with a horizontal row of stitches, before fixing the button between them, then trim the ends with about a cm spare and fold the straps over, securing the ends down again as firmly as you can.

Fixing toe strap (1)  Fixing toe strap (2)  Fixing toe strap (3)

For the broad straps, start by identifying the attachment point you need, secure your thread firmly and then sew the button into the centre of the strap. Trim the strap and then sew the corners down over the button, before securing the strap below the button into a round shank, wrapping a few times with the thread to help you hold the shape.

Fixing wide strap (1)  Fixing wide strap (2)  Fixing wide strap (3)

In essence, that’s it. Make the second sandal the same way, trying to get the strap lengths to match.

Finished straps

If you were just going to wear them indoors, you could probably leave it at that. I had in mind using a blob of hot glue both beneath and finally on top of the strap and button assembly to secure and stabilise the lot, and add some waterproofing and abrasion resistance to stop the first rough floor surface wearing the thread away and letting all the hard work come apart again. But then I remembered that I’ve finally got my hands on some Sugru, so I think I’m going to use a blob of that over the top (and possibly a cuff underneath) as the rubber texture seems likely to be nicely compatible with the rest of the sole. I’ll post final photos once I’ve done this (in the next few days, all being well!).

Finished sandals with home-made denim straps

I can think of some possible variations (and having done this ‘make’, some I wish I’d thought of before I started!). Satin or grosgrain ribbon would make great straps (you’d want a matching pair in 25mm and 6mm widths, I would guess, and a metre of each will be plenty) – and might even be quite ‘dressy’, with the right choice colour and plain dark-coloured sandals.  I suspect – though I haven’t tried this, so if you do, please let me know! – that you could just tie knots in the ends of the ribbons, embed the knots in a little ball of  Sugru, and just sort of ‘squidge’ it into the recesses in the sole, reducing the whole make to a five or ten minute job.  Hot glue would probably work pretty much the same, too (but don’t burn your fingers)! Next time I see a set of dirt cheap flip-flops in a pound shop or market, I’m definitely giving this variation a try!

I’m really thrilled with this, actually. These sandals are *comfortable*, and they look pretty cool too, though I say so myself. I’m definitely planning to take them on holiday, and I shan’t be one bit embarrassed by them by the pool – the finished effect is certainly more ‘handcrafted’ than ‘homemade’. So do give this a try, and please, let me know how you get on?

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Simple Summer Sewing – make a quick, cheap, pretty beach and pool cover-up

I can’t take the credit for the idea here – I’d seen a photo of something similar on Pinterest some time ago, and tracked instructions on the ‘Vie en Rose’ blog (and you should go and take a look at these, the rest of the post will make a lot more sense!) at the time. Then I more or less forgot about it until I started thinking about what to pack for our summer holiday. It seemed the perfect alternative to a sarong, easier to wear and a bit more ‘shaped’.

So I picked up some remaindered floral print cotton jersey on Ebay for about a fiver, and got started with it on my day off a week or two ago.  I’d offered up a sarong to get an idea of how wide a piece of fabric I needed, and came to the conclusion that the ‘ideal’ size was about 10cm wider than the width of fabric I had.  Slightly irritating.

Rather than chop a lengthwise section from my 2.5m length (seemed wasteful!), I decided to take a punt on the 1.6m width and hope the bit of stretch in the jersey and the inherent ‘forgivingness’ of the pattern would let me get away with it.  This decision rather forced my hand in terms of hemming – no spare fabric for this, and worse, I was going to have to use the selvedge, rather than trimming it, too. I know, I know, two cardinal sins of sewing and dressmaking just there. But do bear with me, this is quick and cheerful stuff, but the result is surprisingly good!!

Decide roughly how long you want your wrap, measuring from about armpit length downwards, and make this the width of your piece of jersey fabric.  Make sure all the edges are nice and straight as you cut your piece, as these will be your finished edges. I used a cutting mat and roller for speed and convenience, but you could manage carefully with fabric scissors.

Shape the armsThe only piece of shaping required is around the arm holes. I used a strappy top I own as a reference template. Line it up at the top of the ‘body’ and mark out the arm shape. If you fold the fabric in half, you can cut both sides together, so they’ll be symmetrical.

Cut the arm shapingMark (this is the reverse side!) with a pen or pencil. Then just cut carefully along the mark.

Now it’s just a question of working out how to attach a for each shoulder. I measured the strappy top from where I’d stopped shaping the arm hole, up to the seam at the top of the shoulder, and then back down to the seam at the underarm.

Measure for the strapsThis gave me a length of about 40cm as an estimate for the strap length. The blog tutorial I found made braided straps, and you could certainly do this.  I had my sewing machine conveniently to hand, so it was just as quick to make tubes – I cut two lengths about 2.5cm wide and 40 cm long, sewed along the length with right sides together, trimmed the seam allowance and then turned them carefully the right way out.  This was actually pretty fiddly and time consuming, but I think gives a nice finish.

Straps sewn in placeOnce your straps are ready, safety pin them in place and try on your cover up. This will allow you to adjust the strap length to suit your preferences (I shortened mine by about 5cm in the end).  Now, I can see no reason at all to post photos of myself in my bathing suit on the internet, so you’ll have to refer to the original tutorial for fitting photographs. Once you’ve decided on the right strap length, hand sew the straps in place firmly.

If you’re using a solid coloured fabric, this should give a pretty nice finish, but you can see with my contrasting print it’s all rather scruffy!  But it’s done. Try it on and flounce about in it a bit, pretending to be standing by a beach bar somewhere delightfully tropical.

Buttons!I wasn’t quite happy with the strap sewing, so I gave it some thought. Eventually it was a colleague who suggested buttons, which were an inspired solution.  I had a dig around, eventually found my button box, and excavated these four pretty little off-black beauties.

Strap with buttons in placeSewn in place over the strap joins, they completely conceal my scruffy sewing.  Hurray!

I’ve considered shaping the short edges on a slight angle to cut away the worst of the selvedge, but although I know it’s there, it really isn’t obvious, so I’ll probably leave it for now. If it annoys me later, I’ve always got the option!

Finished beach wrapWell, there it is! I’m really pleased with it, I think it’ll work beautifully as a cover-up over swim wear, for the beach of the pool this summer.  It’s such a quick ‘make’, not sure I agree with the ’20 minute’ assertion, but certainly well under an hour, all told. And all for well under a fiver. Practical summer style on a serious budget!

Fun crochet beach bagIncidentally, I’ve also finished the crochet beach bag I was working on a few weeks ago. I’ll  do a full tutorial at some stage when I re-make it (there were a few details I got wrong with this one that I’d like to do right next time!), but I’m still pretty thrilled with it, it’ll do very nicely by the pool this summer with plenty of space for a paperback, the sunscreen, sunglasses, and of course the cover up!

I’m feeling rather excited about the summer now… Bring it on!

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Easily Hooked – oops, I seem to have taken up crochet!

We had so much to do in the garden this weekend, but the weather hasn’t been friendly!  At least we managed to get the turf cleared from the unpromising rectangle of old ridge & furrow grass which is to be my experimental cut flower patch – watch this space for more (and photos!) in due course.  The greenhouse seedlings continue to thrive, though I’m struggling to believe the tomato seedlings are ever going to grow up big and strong enough to fruit! This time of year in the garden is always a mix of hope and doubt, without much to show yet for our efforts!

Stormy spring beech tree

But it’s raining, and there’s nothing to be done outside for the time being!

I hate to have my hands unoccupied (stop giggling there in the back!) so I suppose it was only a matter of time before I gave in and took up crochet.  Many years ago (half a lifetime, really!) I learned to knit, got good enough at it to make myself a jumper, and mastered some fiddly cable work, but it never really grabbed me.  I’ve always been impressed by the flexibility of crochet work, the variety of shapes and textures which crochet seemed to be able to achieve compared to two-needle yarn craft.  And then, about three weeks ago, by chance, I stumbled over the first part of a learn-to-crochet part-work magazine, complete with a 3.5mm hook, two balls of yarn, and a guide to basic stitches. All for 99p.

Well, I couldn’t resist. I started tinkering with a few stitches and patterns from the starter pack.  I did a bit of playing and made a little round basket out of some jute garden twine, just to see if I could.  It’s the simplest thing, with just a circle of double crochet stitches for the base, made without turning, and sides the same, but turned between rows, picking up only the front loop of the  V to add a horizontal stripe.

Jute basket bottom    Jute Basket inside    Jute basket detail with twine

It makes a lovely coaster for the bottle-cut vase I made a few weeks ago, using the bottle cutting jig I made last year.  Better still, it was surprisingly easy to make, despite the less than promising choice of yarn!

Jute basket with bottle vase

So that was it, really, I was hooked.  Obviously a single hook and a big ball of garden twine wasn’t going to get me very far, so I scurried off to the internet for a few supplies (oops!) – a couple of books for inspiration, a lucky-dip selection of yarns, and of course a set of different sized hooks.  I was good to go!

What do you make first but a scarf? Of course!

Crochet scarfI’m really happy with my first effort, the pattern is from Sue Whiting’s ‘The Crochet Bible’, which has served me really well as a crochet primer so far!  For a complete novice it was a nice simple project which gave a pleasingly complex-looking result, and came together over the course of just over a week.  I used a heather-coloured yarn I got in my mystery-pack, and I’m thrilled with the result.  The photo doesn’t quite do it justice, it’s not as blue as that!

Dave kindly offered to model it for you all, so you can see it a bit more clearly. (He continues to do very well, thank you for asking!)

Dave the dog

Of course, I couldn’t stop at just the one project.  The current one is straight out of my own head, a crochet string-bag for the summer – I think it would be great for a day at the beach.  I’ve used two of the colours of yarn in my lucky-dip pack that I think I’d struggle to wear – an orange that can only be described as ‘health & safety high-viz’ and a bright sunny lemon yellow.  I’m after a relaxed, cool, hippy-ethnic look, and I think we’re headed in the right direction – more photos, and instructions, once it’s finished, but here’s a sneak-peek of the work in progress..!

String bag - work in progress

Finally, some sad news this weekend from my hens – Gertie, my white hen, and the final member of my original hybrid quartet, went the way of all things on Saturday.  So RIP, dear Gertie.  All good things come to an end…  There’s always been a white hen in my hen-house.  I feel rather bereft.

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